|
00551 |
Nature & Spirit: A Digital Lens of Gay-Male Culture |
Brandon S. Gellis |
2015 |
University of Denver |
|
00552 |
Bioart. An Aesthetic of Disorganisation |
Laura Benítez Valero |
2014 |
Autonomous University of Barcelona |
|
00553 |
Rhythmic Canons and Modular Tiling |
Hélianthe Caure |
2016 |
Université Pierre et Marie Curie |
|
00554 |
Illustration-inspired Visualization of Blood Flow Dynamics |
Maxwell Julian |
November 2015 |
The University of Toronto |
|
00555 |
Perceptual-cognitive Properties of Pictures, Diagrams, and Sentences: Toward a Science of Visual Information Design |
Peter Wesley Coppin |
27-Mar-2014 |
The University of Toronto |
|
00556 |
THE STRANGE DANCE: 9 EVENINGS: THEATRE & ENGINEERING AS CREATIVE COLLABORATION |
Robin Oppenheimer |
Spring 2011 |
Simon Fraser University |
|
00557 |
Interface Aesthetics: Sound, Software, and the Ecology of Digital Audio Production |
Mike D'Errico |
2016 |
UCLA |
|
00558 |
Primate Aesthetics |
Chelsea Lynn Sams |
2016 |
University of Massachusetts Amherst |
|
00560 |
Photography from the Turin Shroud to the Turing Machine |
Yanai Toister |
2015 |
Sydney |
|
00561 |
Art and Technology in the Second Half of the 20th Century: The Code as Paradigm |
José Oliveira |
2016 |
Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa |
|
00562 |
Die Computerkunst Herbert W. Frankes |
Penesta Dika |
2003 |
Universität Wien - Austria |
|
00564 |
Schaulust: A Study in Light and Sound |
Mark Cetilia |
2016 |
Brown University |
|
00565 |
Theoretical approaches of `spatial organization modes in multimedia architectures |
Georgios Papakonstantinou |
2014 |
Paris I University-Panthéon Sorbonne |
|
00566 |
Quality of Aesthetic Experience and Implicit Modulating Factors |
Wendy Ann Mansilla |
2013 |
Norwegian University of Science and Technology |
|
00567 |
Articulating Space: Geometric Algebra for Parametric Design -- Symmetry, Kinematics, and Curvature |
Pablo Colapinto |
2016 |
University of California Santa Barbara |
|
00568 |
DESIGN UTILIZING DIGITAL MEDIA TO FACILITATE COLLABORATION |
Scott Trent |
2011 |
The University of Texas at Dallas |
|
00569 |
Biomateria--Biotextile Craft |
WhiteFeather Hunter |
November 2015 |
Concordia University, Montreal, Canada |
|
00570 |
Labyrinth Psychotica Simulating Psychotic Phenomena |
Jennifer Kanary Nikolov(a) |
07-09-2016 |
Plymouth University |
|
00571 |
Silicon Luthiers: Contemporary Practices in Electronic Music Hardware |
Ezra J. Teboul |
2015 |
Dartmouth College |
|
00572 |
THEORY of FLIGHT : a fantasia of avian obsession |
Anna Lindemann |
2011 |
Rensselaer Polytechnic Institute |
|
00574 |
The Spatial Properties Of The Projection System In The Work Of Jeffrey Shaw |
Olga Venetsianou |
2014 |
University of Thessaly |
|
00575 |
Science, Technology, Engineering, Art and Mathematics: Key Elements in the Evolution of the Contemporary Art Quilt |
Stacy Cantrell |
2015 |
George Mason University |
|
00576 |
Microsound, spectra, and objectivity: tracing memetics in organised sound |
Vincent Giles |
2016 |
University of Melbourne |
|
00577 |
Walking with portable projections : a creative exploration into mediated perception in the environment |
Rocio von Jungenfeld |
2016 |
University of Edinburgh |
|
00578 |
The Practices of Art and Science |
Hannah Star Rogers |
2012 |
Cornell University |
|
00579 |
Unruly Bodies: Monstrous Readings of Biotechnology |
Cynthia J. Verspaget |
2015 (2017) |
Curtin University |
|
00580 |
Composing [De]Composition: Data Sonification for Sound Art and Music Composition |
Jennifer no.e Parker |
2016 |
University of California, Riverside |
|
00581 |
Executing Liveness: An examination of the live dimension of code inter-actions in software (art) practice |
Winnie Soon |
2017 |
Aarhus University |
|
00582 |
Machinima: Between Narrative and Experimentation |
Fernanda Albuquerque de Almeida |
2014 |
University of São Paulo |
|
00583 |
Design Foundations: Towards A Model Of Style Grammar In Creative Drawing |
Jennie Sweo |
2017 |
Victoria University of Wellington, New Zealand |
|
00584 |
EM - Embodied Map Tools for urban mapping and performance art practices |
Alessandro Carboni |
2017 |
City University of Hong Kong |
|
00585 |
Transductive Praxis in BioArt: Relational Ontology and Aesthetics of Nonhuman Experience |
Tyler Fox |
2015 |
Simon Fraser University |
|
00586 |
Duchamp Meets Turing: Art, Modernism, Posthuman |
Gabriela Galati |
2016 |
Plymouth University |
|
00587 |
Computer Art and ActorNetwork Theory: Actants and Intersubjective Associations in Scene |
PRAUDE, Carlos Corrêa. |
21-Dec-2015 |
Universidade de Brasília, Brasília, Brazil. |
|
00588 |
Displacing Identity: Architecture, psychoanalysis and the tectonics of dance |
Christiana Kazakou |
2013 |
Central Saint Martins, UAL |
|
00590 |
A Perceptual Approach to Audio-Visual Instrument Design, Composition and Performance |
Adriana Sa |
2016 |
Goldsmiths, University of London |
|
00591 |
When CRISPR Meets Art. The Experience of Relationality Through the Affective Agency of Matter |
Lotte Pet |
2016 |
Leiden University |
|
00592 |
Systemic Interaction in Computer Art: A-Memory Garden a teoretical and practical proposal in asthetic research |
Marília Bergamo |
2015 |
Universidade de Brasília - UnB |
|
00593 |
Enactive Soundscapes: toward a naturalized aesthetics |
André Luiz Gonçalves de Oliveira |
2013 |
University of Brasilia - UnB |
|
00594 |
Seeing Beyond the Senses - Microcinematography as Artistic Practice |
Eric Parren |
2012 |
UCLA |
|
00595 |
Aboriginal Imagination |
Jason Davidson Hampton |
2004 |
Charles Darwin University |
|
00596 |
Cross Connections:Online activism, real worldoutcomes |
Tracey M Benson |
2010 |
Australian National University |
|
00597 |
New Paradigm Applied To A Digital Repository Of Scientific Publications: Design Of A Collaborative Structure For Visualization And Filtering Information |
Bruno Miguel Azevedo |
2016 |
Universitat Politècnica de València (UPV) |
|
00598 |
An Interactive Environment derived from commuters' memories of the soundscape: a case study of the London Underground. |
Ximena Alarcón-Díaz |
2007 |
De Montfort University |
|
00599 |
Reclaiming the alienated Self: An examination of maintaining the Self amid cultural and technological changes. |
Monika Dorniak |
2017 |
Central Saint Martins, University of Arts London |
|
00600 |
Robotic Sculpture Development through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-ness, and Symbiosis between Physical and Virtual Media |
Marco Pinter |
2015 |
University of California, Santa Barbara |
|
00601 |
Amplifying Ambiguities: |
Nora S. Vaage |
2016 |
University of Bergen |
|
00602 |
Zen and the Art of Software Performance: John Cage and Lejaren A. Hiller Jr.’s HPSCHD (1967-1969) |
Tiffany Funk |
2016 |
University of Illinois at Chicago |
|
00603 |
Mediation/Derivation: Jan Ruhtenberg's Apprenticeship and Architectural Modernism |
Clemens Christian Finkelstein |
2017 |
Harvard University |
|
00604 |
Performative Experience Design: Theories and practices for intermedial autobiographical performance |
Jocelyn Cady Spence |
2015 |
University of Surrey |
|
00605 |
THE ROLE OF Interactivity IN THE ARTISTIC PROCESS OF WEB-BASED ART: CASE STUDIES OF THE DIGITAL MEDIA ART PIONEERS’ PRACTICES AND STUDIO TEACHING |
Chia-Ling Lee |
2017 |
Columbia University |
|
00606 |
The neuroscience of musical creativity using complexity tools |
Dr Shama Sarwat Rahman |
Oct 2013 |
Imperial College London |
|
00608 |
Pulse Project: An Investigation Across Bodies, Cultures And Technology |
Michelle Lewis-King |
2016 |
Anglia Ruskin University |
|
00609 |
Live Brain-Computer Cinema Performance |
Polina Zioga |
2017 |
Glasgow School of Art |
|
00610 |
Establishing a Critical Framework for the Appraisal of 'Noise' in Contemporary Sound Art with Specific Reference to the Practices of Yasunao Tone, Carsten Nicolai and Ryoji Ikeda |
Adam Collis |
2016 |
University of Surrey |
|
00611 |
Anatomical Analogies: The Evolution of Harmony and Noise in relation to the Self and Society |
Raphael Arar |
2014 |
California Institute of the Arts |
|
00612 |
Cognitive aspects of pictorial address and seriality in art: A practice-led investigation |
Jason Kass |
2017 |
University of Southampton |
|
00613 |
Interactive Living Space for Neo-Nomads: An Anticipatory Approach |
Asma Naz |
2017 |
The University of Texas at Dallas, Texas, USA |
|
00614 |
What Goes Around Comes Around - The impact of plastic on the environment, and how artists effectively communicate environmental issues |
Hannah Scott |
2017 |
Central Saint Martins, University of the Arts, London |
|
00615 |
Nanocosm: A Studio Investigation into Algorithmic Worlds |
Gordon Monro |
2016 |
Monash University |
|
00616 |
Artistic practices on mobile screens : the creation of a programming language |
Dominique Cunin |
2014 |
Paris 8 |
|
00617 |
Ecological Art As Gift: A Means To Facilitate Positive Changes In The World Water Crises |
Krisanne Baker |
2008 |
Vermont College of Fine Arts |
|
00618 |
Does Studying Music and Sound Design Enhance Academic Abilities in Undergraduate Non-Music Majors? A Phenomenological Approach |
Dr. Kathryn Evans |
2016 |
University of Texas at Dallas |
|
00619 |
There is no water in the lake: synchronicity, metaphor, narrative, rhythm, and death, in fine art practice |
Dr Aaron H Murphy |
2015 |
Slade School of Fine Art, University College London (UCL) |
|
00620 |
Playing with Clay: Knowledge Making Across Physical and Digital Materials |
Erol Mehmet Gündüz |
2017 |
Teachers College Columbia University |
|
00621 |
Working between music and philosophy: the transforming gesture. |
Scott L. Simon |
2016 |
University of Technology, Sydney |
|
00622 |
Contemporary Urban Media Art - Images of Urgency. A Curatorial Inquiry |
Tanya Toft |
2017 |
University of Copenhagen |
|
00623 |
Towards a Model for Artificial Aesthetics: Contributions to the Study of Creative Practices in Procedural and Computational Systems |
Miguel Carvalhais |
2010 |
University of Porto |
|
00624 |
Between Heaven And Earth, The Virtual Horizon |
PAN Cheng Yu |
2014 |
Paris 1 Pantheon-Sorbonne University |
|
00625 |
Interactive Art Based on Musical Genealogy: Nam June Paik’s Random Access |
Byeongwon Ha |
2017 |
Virginia Commonwealth University |
|
00626 |
Audible Absence: Searching for the Site in Sound Production |
Budhaditya Chattopadhyay |
2017 |
Leiden University |
|
00627 |
Rhythmanalysis: an expressive method for environment/aesthetics relationship. |
Kyriakos Charalampides |
2017 |
Institute of Sonology, Royal Conservatoire in The Hague |
|
00628 |
Harmonizing Digital Drawing Practice within Studio Art Pedagogy |
Grant Tedaldi |
2016 |
Teachers College, Columbia University |
|
00629 |
The Yorkshire Soundscape Project: multi-disciplinary approaches to a sound artist’s experience of landscape within the framework of soundscape ecology and composition |
Tariq Emam |
2017 |
University of Hull |
|
00630 |
Messlife, An Online DIY Warehouse Art Space |
Lee Tusman |
2017 |
UCLA |
|
00631 |
CATCH | BOUNCE: Towards a relational ontology of the digital in art practice |
James Charlton |
2017 |
Plymouth University |
|
00632 |
Naturalism in Synthetic Aesthetics |
David Martinez-Moreno |
07/2017 |
School of the Art Institute of Chicago |
|
00633 |
Women Online: Is self-representation enough to tip the scales of femme visibility within dominant cultural narratives? |
Amanda Stojanov |
2017 |
University of California Los Angeles |
|
00634 |
Emergent Objects at the Human-Computer Interface (HCI) A Case Study of Artists’ Cybnernetic Relationships and Critical Consciousness |
Dr. Sherry Mayo |
2004 |
Teachers College Columbia University |
|
00635 |
An evaluation of digital interfaces for music composition and improvisation |
Konstantinos Vasilakos |
2016 |
Keele |
|
00636 |
The Return of Hephaistos: Reconstructing the Fragmented Mythos of the Maker |
Cheryl De Ciantis |
2005 |
Pacifica Graduate Institute |
|
00637 |
Your love hurts down to my bones: exploring public understandings of dengue fever in Medellin, Colombia, through an anthropology-art-science investigation |
Alejandro Valencia-Tobon |
2016 |
The University of Manchester |
|
00638 |
PostDigital City. Aesthetics and Politics in the Space of Embodied Virtuality |
Sandra Álvaro Sánchez |
28-11- 2016 |
Universitat Autónoma de Barcelona |
|
00639 |
Artistic Research in Experiments between Art and Technology. With the Examples of Experiments in Art and Technology, Performance Electrics, and Hexagone Scène Nationale Arts Sciences Meylan |
Maximilian Lehner |
|
University of Stuttgart |
|
00640 |
Te Kore - Exploring the Māori Concept of Void |
Moana Nepia |
2013 |
Auckland University of Technology - Te Whare Wānanga õ Tamaki Makau Rau |
|
00641 |
Eldorado |
Edouard Beau |
2017 |
Academy of France - Casa de Velazquez- Madrid |
|
00642 |
Las Barricadas Misteriosas |
Edouard Beau |
2014 |
Academy of France, Casa de Velazquez - Madrid |
|
00643 |
"A Theoretical Model for the Design of a Transcultural Visual Communication System in a Posthuman Condition" |
Haytham Nawar |
2016 |
Plymouth University |
|
00644 |
Data Persuasion: Employing a Trustworthy Nudge System in Social Connection via Re-Definitions of Experience, Ownership and Trust in the Future AI-Driven Servicescapes |
Minwoo Kim |
June 2017 |
Royal College of Art |
|
00645 |
Copy Art Histories: The emergence of the photocopy machine in the 20th century art and its role as Historical Media Art. Tendencies and thematic cartography of Copy Art |
Beatriz Escribano Belmar |
2017 |
University of Castilla-La Mancha, Spain |
|
00646 |
Epistêmê, technê and poïesis visualisations of evolution and extinction in Queensland flora |
Dr AK Milroy |
2017 |
Central Queensland University |
|
00647 |
From the virtual to the physical: expanding the boundaries between art and life through emersive digital games |
Samue Gallastegui González |
2016 |
University of The Baque Country |
|
00648 |
Le son plastique : empreindre le flux et l'inouï. Sonification et audification dans l'art de l'installation |
Lorella Abenavoli |
July 2017 |
UQAM. Université du Québec À Montréal |
|
00649 |
Converging Art and Science: Considering the Conditions in which Women and Girls enter STEM Subjects |
Bettina Forget |
2017 |
Concordia University, Montreal, Canada |
|
00650 |
Spaces That Perform Themselves |
Nicole L'Huillier |
2017 |
MIT |
|
00651 |
Face, A Keyword Story: Metadata Prosthetics in the German Search for Facial Expression from Printed Media to Media Art |
Devon Schiller |
2017 |
Danube University Krems, Austria |
|
00652 |
Experimental curating in times of the perpetual beta: strategies and platforms for online-based art |
Lia Carreira |
2017 |
Danube University Krems |
|
00653 |
Designing for the Mindbody in Technology-Mediated Music-Making |
Aura Pon |
2018 |
University of Calgary |
|
00654 |
How Do Digital Technologies Affect The Aesthetics Of Japanese Calligraphy Art And Culture? |
Hua-Chun Fan |
2017 |
Danube University Krems, Aalborg University, University of Lodz |
|
00655 |
Street Art: a tool for increasing biodiversity awareness |
Diane Arrieta |
2014 |
University of Edinburgh |