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Thesis Info
- LABS ID
- 00625
- Thesis Title
- Interactive Art Based on Musical Genealogy: Nam June Paik’s Random Access
- Author
- Byeongwon Ha
- E-mail
- hab AT vcu.edu
- 2nd Author
- 3rd Author
- Degree
- PhD Candidate (earned MFA)
- Year
- 2017
- Number of Pages
- 7
- University
- Virginia Commonwealth University
- Thesis Supervisor
- Dr. Colin Lang
- Supervisor e-mail
- calang AT vcu.edu
- Other Supervisor(s)
- Prof. Stephen Vitiello
- Language(s) of Thesis
- English
- Department / Discipline
- Media, Art & Text
- Copyright Ownership
- Byeongwon Ha
- Languages Familiar to Author
- English
- URL where full thesis can be found
- www.isea-archives.org
- Keywords
- Nam June Paik, Interactive art, Random Access
- Abstract: 200-500 words
- Random Access (1963) is one of the earliest interactive art pieces, which incorporates an electronic interface in art. Compared to Paik’s fame in video art, his originality in interactive art was hardly examined in the history of new media art. This paper explores Random Access as a pioneering project in interactive art. Paik was educated in West Germany from 1956 to 1963. Based on his academia in the center of music, Paik published several music articles for Korean and Japanese readers as a foreign correspondent. Unfortunately, his articles about progressive music in Europe were never translated into English. Paik was inspired by Karlheinz Stockhausen, Pierre Schaeffer and John Cage when he started to create his own interactive project. His specific articles about these experimental composers reveal that Random Access shows a long-time development of a diligent academic artist. As a history of interactive art, this study traces Paik’s unprecedented creation, which made a significant transition from music to interactive art.