record

Thesis Info

LABS ID
00266
Thesis Title
Towards a Species Songbook: Illuminating the Vocalisations of the Australian Pied Butcherbird (Cracticus nigrogularis)
Author
Hollis Taylor
2nd Author
3rd Author
Degree
Doctor of Philosophy
Year
2008
Number of Pages
620
University
University of Western Sydney, Australia
Thesis Supervisor
Professor Michael Atherton
Supervisor e-mail
M.Atherton AT uws.edu.au
Other Supervisor(s)
Dr. Garth Paine
Language(s) of Thesis
English
Department / Discipline
School of Contemporary Arts
Copyright Ownership
Hollis Taylor
Languages Familiar to Author
English, French
URL where full thesis can be found
Keywords
birdsong, pied butcherbird, zoömusicology, notation, sonogram
Abstract: 200-500 words
Is musicality a capacity Homo sapiens shares with birds? The pied butcherbird (Cracticus nigrogularis) is suggested for a zoömusicological case study on how birdsong might be like the human animal’s music (whether homologous or analogous). The thesis includes a critical reflection on an accompanying portfolio of music compositions (scores paired with field transcriptions and a CD recording) that are integral to the analysis process. The study of birdsong by biologists and the appropriation of birdsong by composers are reviewed, with a primary focus on how composers have used the song of the pied butcherbird in their works. To date there has been no systematic study of the vocal behaviour of the study species, and much remains to be illuminated. While the collection of extant recordings is essential, conducting fieldwork to secure original recordings and experience pied butcherbird vocal behaviour firsthand are central to the research. Portamento as an impediment to “off-the-shelf” musicology in the case of birdsong analysis is discussed. It is proposed that the employment of different types and levels of description could facilitate the most fecund survey and analysis. Hardware and software choices are detailed, along with recording methods and data analysis techniques. A survey on how pied butcherbirds use notes, calls, and song is presented, including sonograms and standard music notation, followed by an elucidation of an extensive repertoire of procedures found in both human music and pied butcherbird song. Building on this, repertoire, general principles, and overarching matters of form and structure are interrogated through the analysis of two long songs, one diurnal and the other pre-dawn. Many components from their rich and nuanced repertoire are subject to recasting, some via elaborate strategies. Transcriptions and analyses from nearby pied butcherbirds at both study sites serve to increase the sample size, situate the targeted singers, and assist in the determination of whether phrases are improvised or part of an established convention. Pied butcherbird songs are found to be dynamic and in a constant state of change. The creative compositional component informs and becomes the final step in the analysis process. The portfolio of compositions demonstrates in a practical application, as the investigation in prior chapters does through a range of other analytical methods, how the species has been successful in creating and re-creating a culture with clear and unequivocal links to the experience of human music. Specific new contributions are itemised in the final chapter, and recommendations are made for those areas that could be most productive for further research into pied butcherbird song. It is concluded that pied butcherbirds’ elaborate song culture overreaches biological necessity, indicating an aesthetic appreciation of sound is present in the pied butcherbird.