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Thesis Info

LABS ID
00354
Thesis Title
The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic Art
Author
Michael Austin
2nd Author
3rd Author
Degree
Ph.D. in the Humanities - Aesthetic Studies (Arts and Technology)
Year
2011
Number of Pages
206
University
University of Texas at Dallas
Thesis Supervisor
Frank Dufour
Supervisor e-mail
Frank.Dufour AT utdallas.edu
Other Supervisor(s)
Robert Xavier Rodriguez
Language(s) of Thesis
English
Department / Discipline
Arts and Technology
Languages Familiar to Author
English
URL where full thesis can be found
Keywords
phenomenology, music, sound art, interface, Unités Sémiotique Temporelles, musicology, aesthetics
Abstract: 200-500 words
The experience of an artwork is just as important as any other constituent element of the work, particularly in contemporary digital music and sonic art. While theorists analyze a piece to find out “how it works,” the actual experience of the work in question is often disregarded in favor of a score and an abstract conception of the “object” being analyzed; further, the system within which, or for which, the work was created has an enormous impact on the experience of the musical or sonic artwork, but it, too, is not often acknowledged. This dissertation investigates the experience of music and sonic art and examines how interface relates to that experience. I make a case for the phenomenological analysis of contemporary music and sonic art, offer a new inclusive definition of interface as it relates to works of these genres, and propose a pragmatic, hybrid analytical technique for phenomenological investigation. Further, I address issues of the experience of temporality, energetics, interaction, and other relationships within a medium (and among media) in selected works that have hitherto been considered “un-analyzable” because they lie outside of traditional analytical paradigms.