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Thesis Info
- LABS ID
- 00395
- Thesis Title
- Interactive Holographic Cinema
- Author
- Christopher Albert Portales
- E-mail
- chris AT chrisportales.com
- 2nd Author
- 3rd Author
- Degree
- MS
- Year
- 2012
- Number of Pages
- 45
- University
- Texas A&M University
- Thesis Supervisor
- Carol LaFayette
- Supervisor e-mail
- lurleen AT viz.tamu.edu
- Other Supervisor(s)
- Language(s) of Thesis
- English
- Department / Discipline
- Visualization
- Copyright Ownership
- Christopher Albert Portales
- Languages Familiar to Author
- English, Spanish
- URL where full thesis can be found
- Keywords
- cinema, holographic, interactive, structured light, digital imaging, 3d, stereoscopic, holography, hologram, kinect, phantasmagoria
- Abstract: 200-500 words
- In mainstream media and entertainment, holography is often misrepresented as single perspective non-stereoscopic imagery suggesting three-dimensionality. Traditional holographic artists, however, utilize a laser setup to record and reconstruct wavefronts to describe a scene auto-stereoscopically, that is, in multi-perspective natural parallax vision. Although these approaches are mutually exclusive in practice, they share a similar goal of staging three-dimensional (3D) imagery for a window-like viewing experience. A satisfactory form did not previously exist for artists who wish to explore holography as cinema without high-cost equipment, time-consuming approaches, or impractical limitations. This work presents a conceptual solution to record, reconstruct, and experience holographic visualizations in a cinematic context using a non-waveform digital computer approach. By recording 3D information from a scene using the structured light method, a custom computer program performs stereoscopic rendering in real-time during presentation. Using a hardware device, such as the Microsoft Kinect, artists and scientists can explore the holographic cinematic form interactively. As a result, live scenes are recorded as 3D data with unlimited reconstruction possibilities.