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Thesis Info
- LABS ID
- 00097
- Thesis Title
- Applications of Generative String Substitution Systems in Computer Music
- Author
- R. Luke DuBois
- E-mail
- luke AT music.columbia.edu
- 2nd Author
- 3rd Author
- Degree
- Doctor of Musical Arts
- Year
- 2003
- Number of Pages
- 164
- University
- Columbia University
- Thesis Supervisor
- Brad Garton
- Supervisor e-mail
- brad AT music.columbia.edu
- Other Supervisor(s)
- Fred Lerdahl, Jonathan Kramer, Paul Lansky, Perry Cook
- Language(s) of Thesis
- English
- Department / Discipline
- Music/Algorithmic Composition
- Copyright Ownership
- R. Luke DuBois
- Languages Familiar to Author
- English, French, Spanish
- URL where full thesis can be found
- music.columbia.edu/~luke/dissertation
- Keywords
- algorithmic composition, interactive computer music, string-rewriting, generative grammars, audio-visual interaction, multimedia performance
- Abstract: 200-500 words
- The purpose of this dissertation is to create and explore potential taxonomies for using algorithmic string-substitution systems in the generation of music. The focus of the author's research is on using a specific category of string rewriting systems (called Lindenmayer, or L-systems) to generate musical material based on a musical primer provided by a live musician or musicians. The author explores and describes a variety of possible composing methodologies whereby a computer can generate, in real time, appropriate accompanying music and signal processing to a live performer. By experimenting with different taxonomies of mapping source material (live musical input) to accompanying processes (provided by the computer), an extensive system for generating a varied, yet systematically cohesive, corpus of musical work can be achieved. A series of short compositions based on this string-substitution process are included as applications of this system.