|
00871 |
A Reactive Brain Computer Interface: a novel sonification and visualization approach evoked by illusions |
Marlene D. D. Mathew |
2020 |
University of California, Santa Barbara |
|
00872 |
Fluid Equilibrium : sensing with biophotonic field through technoetic performance |
Yishuai Zhang |
April 2020 |
Goldsmiths University |
|
00873 |
Alternative Realities: Protect me from what I want |
Shirley Leung |
2020 |
Parsons School of Design. Design and Technology Department. |
|
00874 |
Mediating Reality: Challenging the authoritative voice of the natural history museum through (bio)systems art |
Colin Clark |
2020 |
University of the Arts London/Central Saint Martins |
|
00875 |
Noise Pollution |
Lou Terry |
2019 |
Goldsmiths University of London |
|
00876 |
Embodied Technology: Human Machine Communication from the Media Arts Perspective |
Hannah E Wolfe |
2019 |
University of California, Santa Barbara |
|
00879 |
Relativity: Synchresis in Art and Applied Science |
Garry Wasyliw |
2017 |
University of Regina |
|
00880 |
Microbial Mood: exploring how sound effects the human microbiome |
Sophia Charuhas |
2019 |
Liverpool John Moores University |
|
00881 |
Digital Technologies as Mediation in European Fine Art Museums |
Catarina dos Reis |
2019 |
Escola das Artes da Universidade Católica Portuguesa |
|
00883 |
Digital Capture and Visualization of Ancient Human Crania for Archaeological Interpretation |
Faye Olsgard |
10 June 2020 |
Liverpool John Moores University |
|
00884 |
Years of Life Lost (before they can ossify) |
Dorsey Kaufmann |
2020 |
University of Arizona |
|
00885 |
In Silico: A practice-based exploration of computer simulations in art. |
Dr Paul Dolan |
2018 |
Northumbria University |
|
00887 |
Towards a definition of digital narratives in art museums |
Maria Isabel Hidalgo Urbaneja |
2020 |
University of Glasgow |
|
00888 |
Medium Media Mater: Experiences in art between material and subtle |
Ana Cecília Mattos MacDowell |
2019 |
Universidade Federal do Rio de Janeiro- UFRJ |
|
00889 |
Dynamic music: the implications of interactive technologies on popular music making |
Tracy Redhead |
2020 |
The University of Newcastle |
|
00890 |
Synthetic Creatures of Media Arts: Biorobots and Other Biotechnological Entities as an Art Practice of Hybrid Ecology |
Daria Vdovina |
2 December 2019 |
School of Communication, Art & Technology, Aalborg University |
|
00891 |
Understanding Musicking on Social Media: Music Sharing, Sociality and Citizenship |
Raquel Campos Valverde |
2019 |
London South Bank University |
|
00892 |
Deep Interactive Evolutionary Systems for Assisted Creativity |
Carlos Tejeda Ocampo |
2020 |
Instituto Tecnologico y de Estudios Superiores de Monterrey, Campus Monterrey |
|
00893 |
Cloud computing as digital imaginary |
Jayn Verkerk |
2020 |
Victoria University of Wellington |
|
00894 |
Virtual Art in the Museum and Beyond |
Valeria Facchin |
2019 |
Courtauld Institute of Art |
|
00895 |
All-Women Initiatives in Art and Technology 1986-2020. Atenea: Mentoring and Networking Project in STEAM |
Robles Mateo, Elena |
2020 |
Universitat Politècnica de València |
|
00898 |
Farsh-e-Parandeh: Animated Mandalic Carpet Projection: Exploring the Links between Proto-Animation Techniques in Persian Traditional Arts and the Foundation of Animation and Cinema |
Leila Honari |
2019 |
Griffith University |
|
00899 |
Biochromes: Perceptions of Australian Medicinal Plants through Experimental Photography |
Renata Buziak |
2016 |
Queensland College of Art, Griffith University |
|
00900 |
Software- and Data-based art conservation from the artist studio practice: Engineering approaches to documentation as a tool for artwork definition and conservation. |
Diego Mellado Martínez |
2019 |
Danube University Krems |
|
00901 |
An Experimental Study of the Impact of the Physical-Chemical Damage of the Albumen Prints Photographs as a Result of Display, Storage and suitable Treatment Methods – Applied on Selected Objects |
Rasha Ahmed Shaheen |
2017 |
Catania University, Italy |
|
00902 |
Distant Wars: Seeking undestanding behind the logistics of perception of modern warfare |
Lou Mouw |
2019 |
Royal Danish Academy of the Fine Arts |
|
00904 |
Horror Computer Games: Developments, Distinctions, and Experiments |
Graham King |
2019 |
University of Lodz |
|
00905 |
MG (aka I Want a Baby!, Reimagined): A Feminist, Speculative, Queer Exploration of the Content and Context of Sergei Tret’iakov’s 1926 play "I Want a Baby!" |
Angela S. Beallor |
2020 |
Rensselaer Polytechnic Institute |
|
00906 |
Synchronization of the Imaginaries. How Machine Learning is Changing the Way We See the Globe |
Aurora Bertoli |
2020 |
IUAV, University of Architecture in Venice, Italy |
|
00907 |
Steering Audience Engagement During Audio-Visual Performance |
Léon McCarthy |
2016 |
Northumbria University |
|
00908 |
Finding Prāṇa: Digital and Performative Experiments in Search of a Technology of the Self |
Helen Collard |
2019 |
Northumbria University |
|
00910 |
AURA- altering self-perception through interactive light emitting textiles |
Arife Dila Demir |
2019 |
Estonian Academy of Arts |
|
00911 |
TH1NKBLENDER: Speculating Spaces for Future Transdisciplinary Practices and the Spontaneous Encounters of Transdisciplinary Minds |
Dawn Faelnar |
2020 |
Kunstuniversität Linz (Universität für künstlerische und industrielle Gestaltung) |
|
00912 |
Reality & Meaning in the Visual Image: The Architectural & Spatial Encounter in Contemporary Photography |
Rajalakshmi Jagadeesan |
2020 |
Central Saint Martins, University of the Arts London |
|
00913 |
Electronic art in the 20th century. The case of Frank J. Malina A STEAM methodology educational program for primary school children |
Kiriaki Genitsaridou |
2019 |
Hellenic Open University |
|
00914 |
Object Americana |
Jeffrey Geiringer |
2020 |
Parsons, The New School |
|
00915 |
Audiovisual Installation as Ecologically Performativity |
Dr. Teresa Connors |
2018 |
The University of Waikato |
|
00916 |
Staging Greek Tragedy in the Digital Era |
Angeliki POULOU |
2017 |
University of Sorbonne Nouvelle - Paris III & National and Kapodistrian University of Athens (Joint PhD) |
|
00917 |
Audio-haptic relationships as compositional and performance strategies |
Lauren Hayes |
2014 |
University of Edinburgh |
|
00918 |
Art and Technology: coherence, connectedness, and the integrative field |
CARLOS AUGUSTO MOREIRA DA NOBREGA |
2009 |
University of Plymouth - UK |
|
00919 |
The Theory of Algorithmic Form. Between an aesthetics and an ethics of algorithms: relations among image, enjoyment and action |
Eli Borges Junior |
2020 |
University of São Paulo (USP) |
|
00920 |
The Emergent Holographic Scene : Compositions of movement and affect using multiplexed holographic images |
Martina Mrongovius |
2011 |
RMIT University |
|
00921 |
Towards a Poetics of Interaction. Design, Code, Plot |
Martin Pablo Groisman |
2016 |
Universidad de Buenos Aires |
|
00922 |
Kazimir Malevich: Approaching the New System |
Irina Lyubchenko |
2020 |
Ryerson University and York University |
|
00923 |
How machines see the world: Five essays on biological and artificial vision |
Carloalberto Treccani |
2020 |
City University of Hong Kong |
|
00924 |
The Universe is My Laboratory |
Christopher Henschke |
2017 |
Monash University |
|
00925 |
The sublime in the postdigital era: the technological oeuvre in the context of experiential art |
Miguel Oliveros Mediavilla |
2017 |
Universidad Complutense Madrid |
|
00926 |
TAKE me BACK to JUPITER!: An Artistic Investigation into Non-Human Consciousnesses through Interactions with Lesser House Fly (Fannia canicularis) and Common Green Bottle Fly (Lucilia sericata) in a Digital Game Environment |
Drew Thornton |
2019 |
University of Western Australia |
|
00927 |
Locative Art as Existential Media in Post-Virtual Geophilia |
Lim Kok Yoong |
2017 |
Soongsil University |
|
00928 |
The Non-Human Turn in Performance Art: Conversations |
Boris Abramovic |
29/08/2019 |
Aalborg University, Denmark |
|
00929 |
Mythologies exploring clean technology development through the classification of technical objects using Chinese Five Element Theory. |
Helena Wee |
2019 |
Goldsmiths, University of London |
|
00930 |
Place Making & Navigating The Otherness In Tokyo. Tokyo Heterotopia: A Case Study Of Locative Media Mobile Application. |
Hoi Ting Yeung |
2020 |
University of Lodz |
|
00931 |
Exploring Sci-Art Activism in Science Festivals as an Antimicrobial Resistance Public Engagement Tool |
Natasha Niethamer |
2020 |
Liverpool John Moores University |
|
00932 |
Interconnection, Relation, Imagination. Interactive art for a sustainable future |
Alessia Gervasone |
2018 |
Albertina Academy of Fine Art, Turin (Italy) |
|
00933 |
The Role of the Designer in the Facilitation of Meaningful Play between Disabled and Non-disabled Children |
Anne-Marie Moore |
2016 |
University of Leeds |
|
00934 |
Things that Grew While I Looked at the Ground |
Heather L McMordie |
2020 |
Rhode Island School of Design |
|
00935 |
Therapeutic Robots in Media Arts Context |
Gohar Vardanyan |
August 12, 2019 |
Aalborg University, Denmark |
|
00936 |
Modes of Expression in Artworks Involving Computational Processes with an Emphasis on Neural Networks |
Hye Min Cho |
2019 |
UCLA |
|
00937 |
Auditory Subcultures and Sonic Flights: In Between Sound and Space |
Alifiyah Zulfiqar Imani |
2019 |
Aalborg University |
|
00938 |
Apprenticeship 2.0: Crafting with Hybrid Textiles in Virtual Reality |
Bolor Amgalan |
2020 |
The New School |
|
00939 |
Bishojo simulator: a social network simulator of fictional female AI agents |
Yuqian Sun |
1 |
Goldsmiths, University of London |
|
00940 |
Hybrid Matter |
Darya Warner |
2020 |
University at Buffalo |
|
00941 |
Exploring the physical side of Botany through Physics and Geography |
Claire Mc Dermott |
2020 |
Central Saint Martins |
|
00942 |
Neurocurating: Creating memories for the future (A neuroscience-informed interdisciplinary curatorial model to enhance visitors’ experience in museum settings) |
Mahzabin Haque |
2020 |
University of Łódź |
|
00944 |
Visualizing the Environment: Exploring the Usage of Media Art in Scientific Data Visualization and Dissemination |
Mia DeBakker |
2018 |
Danube University Krems |
|
00945 |
Mediated Memory and the Internet: Indigenous Protagonism in Brazil |
Louise M. Hisayasu |
2019 |
Danube University Krems |
|
00947 |
Redefining the Anthology: forms and affordances in digital culture |
Giulia Taurino |
2020 |
University of Bologna; University of Montreal |
|
00948 |
Learning to See the Unknown: Drawing Out the Strange |
Hayley Carruthers |
2020 |
Emily Carr University of Art and Design |
|
00949 |
Bio Forms |
natalie alima |
ongoing |
RMIT |
|
00950 |
Ask Humans : A platform for inducing change: organizing, curating and fostering the discourse on society’s redesign regarding technology and human connection |
Lis Martins Neves de Oliveira |
2017 |
Darmstadt University of Applied Sciences |
|
00951 |
Cyborg botany : augmented plants as sensors, displays and actuators |
Harpreet Sareen |
2017 |
Massachusetts Institute of Technology |
|
00952 |
Experiments in proximity: on the ‘bodiliness’ of vision and relational modes of interactivity |
John Tonkin |
2016 |
University of New South Wales |
|
00953 |
Small Diffusion, Big Impact: Composing Immersive Acousmatic Music for the Non-Ideal Listening Space |
Alexis Weaver |
2020 |
University of Sydney |