00765 |
Species interactions and climate change in the loss of Joshua trees and the role of eco-art for understanding multispecies connections |
Jennifer Harrower |
2019 |
UC Santa Cruz |
00766 |
A design exploration of an agent template for multiagent systems (MAS) for shape shifting tangible user interfaces. |
Dr. Helen Hasenfuss (PhD) |
2018 |
University of Limerick |
00767 |
Alternative Aesthetics of Inclusive Design |
Sanjay Sahota |
2018 |
Cardiff Metropolitan University |
00768 |
Moving Image And The Space Around The Frame: Time-Based Installations And Forms Of Experience |
Giusy Pirrotta |
2018 |
UCA, University for the Creative Arts and University of Brighton, UK |
00769 |
Unveiling Interfaces: A Software Studies Board Game for Algorithmic Literacy |
Karla Zavala |
2018 |
Aalborg University |
00770 |
Silicone Love – Her Garden |
Chun Shao |
2019 |
University of Washington |
00771 |
Siren: General-Purpose Algorithmic Composition and Live-coding Environment |
Mert Toka |
2018 |
UC Santa Barbara |
00772 |
Sounds Are Objects - Understanding Creativity with Sound through Embodied Cognition |
Leon Radschinski-Gorman |
2017 |
University of the Arts London |
00773 |
Infinitesimal to Infinity: Ryoji Ikeda’s Data Composition and Space of Sensing |
Joo Yun Lee |
2018 |
Stony Brook University, SUNY |
00774 |
The Arcientic Andism - My Romantic Manifesto |
Dr. Denise Schellmann |
2019 |
University of Applied Arts Vienna |
00775 |
CRYOSPHERE: Frozen in Time |
Christopher ivins |
2018 |
University of California, Santa Cruz |
00776 |
Constructing Soft Robot Aesthetics: Art, Sensation, and Materiality in Practice |
Jonas Jørgensen |
2019 |
IT University of Copenhagen |
00777 |
Worldlets: Generative Studies for the Monome Norns |
Nathan Koch |
2019 |
Parsons School of Design |
00778 |
Enviro-Envision Visualizing Climate Change through Art |
Kathleen Deck |
2019 |
The University of California Santa Cruz |
00779 |
Space in Electroacoustic Music: Composition, Performance and Perception of Musical Space |
Frank Ekeberg Henriksen |
2002 |
City University London |
00780 |
Physical Interaction with Electronic Instruments in Devised Performance |
Dr Neal Spowage |
2016 |
De Montford University |
00781 |
Playing and Making Poetic Videogames |
Jordan Magnuson |
2019 |
University of California, Santa Cruz |
00782 |
The Nonessential Essential |
Daniela Brill Estrada |
2019 |
University of Applied Arts Vienna |
00783 |
Beyond the Frame: Into Virtual Reality |
Mary Finn Saisselin |
2018 |
Paris College of Art |
00784 |
Humanizing Technology Through Post-Digital Art |
VYGANDAS “VEGAS“ ŠIMBELIS |
2018 |
KTH Royal Institute of Technology |
00785 |
Productive Bodies |
Chelsea Thompto |
2019 |
University of Wisconsin Madison |
00786 |
“OPEN DÉCIMA” (OPEN TEN-LINE STANZA). Study of the relationship between the HTML computer language and the ten-line stanza poetry. |
Viviana Álvarez Chomón |
2017 |
UCHILE. University of Chile |
00787 |
The Aesthetics of Gravity: How our relationship with gravity is revealed in art |
Lisa Pettibone |
2018 |
UAL: Central Saint Martins London |
00788 |
The Transcendental Nature of New Media Art: An Examination of the Gap Between New Media and Contemporary Art |
Katy E. Parsons |
2019 |
Azusa Pacific University |
00789 |
The Final Image: An Artwork and Techniques in Immersion |
Martin Jarmick |
2019 |
University of Washington, Seattle |
00790 |
DIGITAL DYSTOPIA: Exploring the Side Effects of Media, Data, and Technology |
roya ebtehaj |
2019 |
San Jose State University |
00791 |
Spatiotemporal Experience |
Marcus Zúñiga |
2019 |
Art Center College of Design |
00792 |
Time and Space in Video Games. A Cognitive-Formalist Approach |
Federico Alvarez Igarzábal |
2019 |
University of Cologne |
00793 |
Of ice shields, oceans, and train yards: Research-creation towards meaningful contact with a feral terrain |
Lucie Lederhendler |
2019 |
Concordia University |
00794 |
3047: A dark room body |
Valentina Serrati |
2017 |
Goldsmiths University of London |
00795 |
Mediated Visualities: Architectural Representation and the Digitized Body |
George Themistokleous |
2019 |
Leeds Beckett University |
00796 |
Visualizing Time-Oriented Data in Virtual Reality: An analysis of Star Wars check-out history at the Seattle Public Library |
Junxiang Yao |
2019 |
University of California, Santa Barbara |
00797 |
Obsolete Objects, Time and New Media |
Ivan Petkov |
2017 |
University of Art and Design Linz |
00798 |
the transformation of the look and the creativity from the technical and technological innovations: Historical Vanguards and contemporanity |
Raquel Caerols Mateo |
2010 |
Universidad Complutense de Madrid |
00799 |
Deconstruct and Dissent: Subversive Technologies for the Modern Militant |
Janna Ahrndt |
2019 |
Purdue University |
00800 |
Casual Creators: Defining a Genre of Autotelic Creativity Support Systems |
Katherine Compton |
2019 |
UC Santa Cruz |
00801 |
Work Of Interface From Comparison Of Diversity And Singularity About Spacetime In Media Art |
Jisoo Park |
2015 |
Ewha womans university |
00802 |
Archimusic, A New Poïesis: A Method for Archimusical Synthesis |
F. Myles Sciotto |
2018 |
UCSB |
00803 |
A INTERFACE NA E-HEALTH. Proposta de princípios de design para a credibilidade e a confiança. |
Andreia Pinto de Sousa |
2017 |
Universidade de Aveiro e Universidade do Porto |
00804 |
Masculinity and spirituality in Renaissance Milan: the role of the beautiful body in the art of Leonardo da Vinci and the Leonardeschi |
Maya Corry |
2014 |
University of Oxford |
00805 |
UNUM The Blockchain for Distributed Manufacturing |
Dana R Martens |
2017 |
Parsons School of Design (The New School) |
00806 |
Playfully Cracking Cultures |
Lucas de Jong de Abril |
2019 |
Delft University of Technology |
00807 |
Networks of Liveness in Singer-Songwriting: A practice-based enquiry into developing audio-visual interactive systems and creative strategies for composition and performance. |
Simon Waite |
2019 |
De Montfort University |
00808 |
Computer-animated scientific visualizations of tomographic scanned microscopic organic entities |
Martina R. Fröschl |
2019 |
University of Applied Arts Vienna |
00809 |
Temporal and Spatial Coherence: chronological and affective narrative within holographic and lenticular space. |
Pearl John |
2018 |
De Montfort University |
00810 |
Second Wind |
Anne Yoncha |
2019 |
University of Montana |
00811 |
Qualities of Simplicity in designing interactive art |
Tomi Knuutila |
2018 |
University of Lapland |
00812 |
On Cosmogony |
Katarina Petrović |
2016 |
ArtScience Interfaculty, Royal Academy of Art and Royal Conservatoire, University of Arts The Hague |
00814 |
Blovels, Twovels and Cell Phone Novels: Bridges to Literature or Roads to Nowhere? |
Kathleen Wilson |
2010 |
Vermont College of Fine Arts |
00815 |
Aural Architecture Practice: Creative Approaches for an Ecology of Affect |
Claudia Martinho |
2019 |
Goldsmiths, University of London |
00816 |
The archive as a digital aesthetic form |
Clio Flego |
2019 |
Danube University Krems |
00817 |
Towards an Ecosophy: A Reading of the Critical Significance of Experimental Ethnographic Video Through the Lens of Félix Guattari’s 'The Three Ecologies' |
Edward Christie |
2018 |
The Courtauld Institute of Art |
00819 |
Images of Time in the Technological Poetics of Harun Farocki, Bill Viola and Anthony McCall |
Fernanda Albuquerque de Almeida |
2019 |
University of São Paulo |
00820 |
A Crystalline Quilt for the Thick Present |
Ann Altstatt |
2018 |
University of California, Santa Cruz |
00821 |
Hybrids and Fragments: Music, Genre, Culture and Technology |
J M Gagen |
2019 |
Goldsmiths, University of London |
00822 |
The Human Use of the Human Face: The Photographic Self-Portrait in the Age of the Selfie |
Karen ann Donnachie |
2017 |
Curtin University, Western Australia |
00823 |
Proxistant Vision |
Synne Tollerud Bull |
2020 |
University of Oslo, Norway |
00824 |
Alan Splet: the sound design of Blue Velvet and the polyphony of sound effects |
Fabiano Pereira de Souza |
2016 |
Universidade Anhembi Morumbi |
00825 |
Beyond third dimension: Montage superposition of volumetric images in 3x3D |
Fabiano Pereira de Souza |
2021 |
Universidade Anhembi Morumbi |
00827 |
A design exploration of an IoT based smart parking prototype with stakeholders by user-centred design |
Muftah Fraifer, PhD |
2019 |
University of Limerick |
00828 |
Evaluation Of The Use Of Archive And Memory In Exhibition Practices Of Contemporary Art Institutions In Turkey |
S. Nesli Gül Durukan |
2019 |
Yıldız Technical University |
00829 |
Bioart, DIYbio, and Biotechnology: How a Merging Language Could be Shaping the Future |
Sophia Charuhas |
2019 |
Liverpool John Moores University |
00830 |
Space, people, networks: Exploring the relationship between built structures and seamless wireless communication infrastructures |
Selena Savic |
2015 |
Ecole Polytechnique Federale de Lausanne (EPFL) |
00831 |
Studio Bench: the DIY Nomad and Noise Selector |
Dr Amit D Patel |
2019 |
De Montfort University |
00832 |
Prototyping Relational Things That Talk: A Discursive Design Strategy for Conversational AI Systems |
Dr Birgitte Aga |
2019 |
The University of Plymouth |
00833 |
Extending the Museum. The Exhibition Visitor as a Cultural Producer |
Giulia Cordin |
|
UFG Linz |
00834 |
A Method for the Analysis of Handmade Electronic Music as the Basis of New Works |
Ezra Jérémie Teboul |
2020 |
Rensselaer Polytechnic Institute |
00835 |
The Art, Aesthetics, and Materiality of the Arcade Videogame Interface: A Practice-Included JAMMA Era Arcade Platform Study |
Kieran Nolan |
2019 |
Trinity College Dublin |
00836 |
Social Robot Videos: A New Task to Measure Theory of Mind Towards Humanoid Robots in Children with Autism Spectrum Disorder |
Ziggy O'Reilly |
|
University of Western Australia |
00837 |
Charting Artistic Rigor: How three new media artists advance Wassily Kandinsky's theories on abstract painting and harness technology as a form of artistic expression |
Jonathan Brandel |
2020 |
Paris College of Art |
00838 |
Im-Medea: Posthumanism and Remediation in Music Theatre |
Thanos Polymeneas Liontiris |
2019 |
Unoversity of Sussex |
00839 |
A Study of the use of Augmented Reality in Storytelling |
Athenkosi Musoke |
2020 |
University of Witwatersrans |
00840 |
Embodied space in architecture, cognitive neuroscience and virtual reality |
Isabella Pasqualini |
December 2012 |
EPFL (Ecole Polytechnique Fédérale de Lausanne) |
00841 |
Bridging the Digital Divide |
N. Leily Khatibi |
2020 |
San Jose State University |
00842 |
Tracing the History and Theory of Conceptual Art and Technology: the Case Study on Harold Cohen |
Merve Sahin |
May 2020 |
San Francisco Art Institute (SFAI) |
00844 |
Solidified Urine Research Paper - From human waste, urine and uric acid to reusable applications |
Qinming Feng |
2020 |
Central Saint Martins, University of The Arts London |
00845 |
The Gender Generator: Towards a Brain-Computer Interface for the Evocation of Gender Dysphoria Symptoms |
Josh Urban Davis |
2018 |
Dartmouth |
00846 |
Color as a substance - Psychosomatic aspects of color |
Jola Gmur |
2012 |
The Faculty of Arts, Maria Curie-Sklodowska University in Lublin |
00847 |
Games of The Possibles. The creation of alternative video games between art, market and mass culture. |
Luca Carrubba |
2019 |
Universitat de Barcelona |
00848 |
Towards a Practitioner Model of Mobile Music |
Steve Jones |
2020 |
De Montfort University |
00849 |
An intricate Ensemble : The Art-Science of an Ecological Imaginary for the Anthropocene Epoch |
Alyce Santoro |
2019 |
Rhode Island School of Design |
00850 |
From interaction to post-participation: the disappearing role of the active participant |
varvara guljajeva |
2018 |
Estonian Academy of Arts |
00851 |
Monster Camera: Creating perpetually unique horror experiences using disempowerment, reflection and uncertainty to imply a threat within video games |
Nicolaas Remmert Spreeth |
2020 |
University of the Witwatersrand |
00852 |
Conceptual and experiential dance languages: digital representation and interaction |
Aikaterini (Katerina) El Raheb |
2019 |
National and Kapodistrian University of Athens |
00853 |
The Art of Cyborgs: A Techno-social Approach to Contemporary Culture |
Minka Stoyanova |
2019 |
City University of Hong Kong |
00854 |
shrimpychip YouTube |
B. Wijshijer |
2020 |
University of Waterloo |
00855 |
Moving Through Images: Spectatorship and Meaning-Production in Interdisciplinary Art Environments |
Melanie Wilmink |
2020 |
York University |
00857 |
Augmented Reality as a Tool for Public Art: Making A Virtual Monument For 10 October 2015 Bomb Attack Victims In Ankara |
Gökçen Keskin |
2019 |
Aalto University |
00858 |
Artificial Theaters: Staging Life in the Age of Biotechnology and Artificial Intelligence |
Yvan Tina |
2020 |
The University of Texas at Dallas |
00859 |
Cultural platformization: media-design strategies for audiovisual education |
Daniel Cardoso Perseguim de Oliveira |
2020 |
Universidade de São Paulo |
00860 |
A Field Guide to Exit Zero: Urban Landscape Essay Films, 1921 Till Now |
S Topiary Landberg |
2020 |
University of California, Santa Cruz |
00861 |
Small Universe: Exploring Microorganisms in Water From an Artistic Perspective |
Jingying Zhen |
May of 2020 |
University of Northern Colorado |
00863 |
Panarchistic Architecture: Building Wildland-Urban Interface Resilience to Wildfire through Design Thinking, Practice and Building Codes Modelled on Ecological Systems Theory |
Melissa Louise Sterry |
2018 |
University of Greenwich |
00864 |
Canda Goose: Origin |
Yanzhe Wu |
2020 |
The New School |
00865 |
Reciprocation |
Jason Charney |
2020 |
University of Maryland – Baltimore County |
00866 |
Online Cultural Heritage: facilitating complex query making through Tangible User Interfaces |
Javier Pereda |
2016 |
University of Southampton |
00867 |
"Alternative” Storytelling : spoken voice and narrative in sound-based works |
Hyeon Min Kim (aka Una Lee) |
2019 |
Queen's University Belfast, Sonic Arts Research Centre |
00868 |
Agents of Spatial Influence: Studying design interactions with arrangements and gestures |
RAY LC |
2020 |
Parsons School of Design |
00869 |
Experimental approach on Wind-Human collaborative crafting |
José Manuel Páez Moncaleano |
2014 |
Queen's University, UK |
00870 |
Exit Strategy |
Eric Barry Drasin |
2020 |
University at Buffalo |