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Total Records Found: 872, showing 100 per page
LABS IDThesis TitleAuthorYearUniversity
00657 A Model of Sustainable Ecosystem for Software Development, Software Business and Music Education Lee Cheng 2013 The Education University of Hong Kong
00658 In Praise of Shadows: Study for a Light Composition in Space Nerea Castro-Vicente 2017 University of Porto
00660 Habitat 44º - The Art of Reconstruction Marcus A. Gordon 2017 OCAD University
00661 Is There A Place In Human Consciousness Where Surveillance Cannot Go? Noor: A Brain Opera Ellen Pearlman 2017 School of Creative Media, Hong Kong City University
00662 A Practical Investigation of Expectation in Acousmatic Music Louise Rossiter 2017 De Montfort University
00663 Sketching Sound: Gestural Interaction in Expressive Music Programming Spencer Salazar 2017 Stanford University
00664 Claiming Places: An Exploration of People’s Use of Locative Media and the Relationship to Sense of Place Glen Farrelly 2017 University of Toronto
00666 The artist as strategist - Topography in plastic creation in Paris at the beginning of the 21st century Julio Velasco 2017 Université de Paris 1, Panthéon Sorbonne
00667 Building Brave New Worlds: Science Fiction and Transition Design Leah Zaidi 2017 OCAD University
00668 Artistic narratives at heterogeneous environments: an analysis of Global Strike project Clayton Policarpo 2015 Pontifical Catholic University of São Paulo (Brazil)
00669 Improving Community Engagement through Urban Physical and Technological Experiences Octavio Juarez 2015 Ontario College of Arts and Design University (OCADU)
00670 Poetry and Reason: Means and Meanings of the Moving Image Iona Pelovska 2015 Ryerson/York
00671 Choreographing Time: Developing a System of Screen-less Animation Carol MacGillivray 2014 Goldsmiths, University of London
00672 Machines for Living Robert Twomey 2018 University of Washington
00673 The Palenque Design: Children's Discovery Learning Experience in an Interactive Multimedia Environment Kathleen S. Wilson 1988 Harvard University
00674 Blovels, Twovels and Cell Phone Novels: Bridges to Literature or Roads to Nowhere? Kathleen S. Wilson 2010 Vermont College of Fine Arts
00675 Extrasolar nebulization - Transmedia time capsule for an artistic exploration of space travels and hyperspace Ludwig Pasenau 2018 Université de Toulouse
00676 reimagining civic education Katherine Fisher 2017 Parsons, The New School
00677 Aesthetic informational systems: Towards an ontology of computer-generated aesthetic artefacts Rodrigo Hernandez Ramirez 2018 University of Lisbon
00678 Glitch Art: Noise as a creative act. Challenging the myth of a perfect technology Alexandra Speiser 2017 Donau-Universität Krems
00680 The politics of manipulated images in social media Samik Kharel 2017 Danube University Krems
00681 Media Manipulation And New Generations haijing zhang 2018 Parsons The New School of Design
00682 Musical Serendipity – Designing for Contextual Music Recommendation and Discovery Pirkka Åman 2018 Aalto University
00683 A Road Map for a City of the Future Vicente Esteban Perez (Vinny Montag) 2017 Royal College of Art
00684 Virtual Apparitions, Digital Ghosts: A Sculptural Manifestation of a Social Network Colleen Jennings 2018 University of California, Santa Cruz
00685 Counterfactualism – a new category for fine arts and humanities, dealing with the retrospective analysis of turning points in life Elke Reinhuber 2014 University of New South Wales, Sydney, Australia
00687 Sandbox of Memory: A Virtual Reality experiment in de-colonial immersive storytelling Parul Wadhwa 2018 University of California Santa Cruz
00688 Exile, psycho-trauma and art practice: How art practice can help the exiled Caglar Tahiroglu 2018 Central Saint Martins, University of Arts London
00689 Through the Optic of Design: Self-tracking and the Permanence of Change James Dyer 2018 University of Huddersfield
00690 The learning observed by Maria Sibylla Merian: contributions to the learning of the insects mediated by technology of information and communication Elaine Ferreira Machado 2016 Universidade Tecnológica Federal do Paraná
00691 Bay Area Experimentalism: Music and Technology in the Long 1960s Theodore Gordon 2018 University of Chicago
00692 Gaze Relations: Looking as Power Anthony Assi 2018 University of California, Santa Cruz
00693 Art on the Internet and the Digital Public Sphere, 1994 - 2003 Megan Driscoll 2018 University of California, Los Angeles
00694 Working Through: Characterising and Evaluating Skill with Digital Musical Interactions Adnan Marquez-Borbon 2013 Queen's University Belfast
00695 Romantic Objectivism: Diagrammatic thought in Contemporary Art Michael Whittle 2014 Kyoto City University of Arts
00697 St. George and the Dragon: Design and production of a cultural heritage museum installation using media archaeology Mercedes Felicia Brianne Said 2018 Aalto University
00698 Matter in actuality: the relationship between design and materiality within digital material production Ianis Lallemand 2017 PSL Research University (Paris) / École nationale supérieure des Arts Décoratfs (Paris)
00699 Transfiguration of visuality: representation and perception through multimedia objects embedded in virtuality Israel López 2018 Universidad de Guanajuato
00700 Listening Patterns. From Music to Perception and Cognition Massimiliano Viel 2018 University of Plymouth
00701 Shapeshifting the Colonial Object Sarah Rosalena Brady 2018 University of California Los Angeles
00703 Mass Customisation in the Furniture Design Industry: the case of Thonet chairs Mario Barros 2015 University of Lisbon
00704 TRANSGENIC BACTERIA, BRUSHES AND LAB BENCH: experimentation between Science and Art territories Fabíola Simões Rodrigues da Fonseca 2017 Universidade Federal de Uberlândia
00705 'Ah Ha' Moments: Novice Choreographers Using Defamiliarization in Digital Choreographic Technologies Kristin Carlson 2016 Simon Fraser University
00706 No in Disguise: Algorithmically Targeted Conversations about Sexual Consent Simon Boas 2018 University of California, Santa Cruz
00707 An Investigation of Holographic Technologies Applied to Contemporary Art Practice - A new approach to define temporal aesthetics Yin-Ren Chang 2018 De Montfort University
00708 The Invention of The Screen Cecile-Marie Martin 2017 Université Paris 3
00709 Expanded (Im)materialities: A Postmedial and Neomaterial Discussion on the Collection and Preservation of Media Arts C. Rodrigo Guzman Serrano 2018 Danube University Krems
00710 Cell Portraits: recognising the body through representations of cancer cells in the public domain. Julie Light 2018 University of the Arts, London
00711 T IS NECESSARY TO REFLECT ON EPIDEMIC THE FILM CONTAGION AND ITS APPLICATION TO THE INFORMAL TEACHING OF SCIENCE AND HEALTH Leonardo Cássio da Cruz Teixeira 2018 Programa de Pós-Graduação Ensino em Biociências e Saúde - Instituto Oswaldo Cruz/FIOCRUZ - RJ - BRASIL
00712 Subjectivity and Synchrony in Artistic Research Johanna Schindler 2018 Zeppelin University, Friedrichshafen / Germany
00713 THE ROLE OF VIDEOGAM E GLITCH IN ADULT LEARNING Beatriz Albuquerque 2018 Teachers College, Columbia University, New York.
00714 The Renaissance of the Relationship Between Art and Science: Possibilities From Discussions Between the Codex of Galileo and Cigoli at the 17th Century Josie Agatha Parrilha Da Silva 2013 State University of Maringa
00715 Game Design Therapoetics: Autopathographical Game Authorship as Self-Care, Self-Understanding, and Therapy Sandra Danilovic 2018 University of Toronto
00716 Fake News in Tactical Media and in Social Media: How tactical media practices of fake news differ from fake news on social media Hadas Emma Kedar 2018 Danube University Krems
00717 Mediating Intimacy: An Affective Experience between the Innermost and the Interface Rabia Shamail Kazmi 2018 University of Łódź
00718 Sound Art as Media Art Legacy: Documentation of an Endangered Practice Ina Ciumakova 2018 Aalborg University
00720 Performing the Flesh: Subject/Object Oscillations of the Body Alice Weber 2018 Trinity Laban Conservatoire of Music and Dance
00721 Mapping Affinities: Visualizing Academic Practice Through Collaboration Dario Rodighiero 2018 École polytechnique fédérale de Lausanne (EPFL)
00722 CRYOSPHERE: Frozen in Time Christophe ivins 2018 University of California, Santa Cruz
00723 Art&Science: Towards Post-Disciplinary Curating Bilge Hasdemir 2018 University of Łódź
00724 Knowledge networks of new media artists Fereshteh Adi Saatlo Anzures 2018 Erasmus University Rotterdam
00725 From Artworks to Artworlds: Information Efflorescence and Complex Systems Aesthetics Jason Hoelscher 2018 Institute for Doctoral Studies in the Visual Arts
00726 Portfolio of Original Compositions Dr. Mario Duarte 2017 The University of Manchester
00727 TECHNOLOGY AND SOCIETY: C0NTR0L_OR THE 1LLUS1ON OF Santiago Messier Restrepo 2019 School of Visual Arts
00728 Containing and Holding: A Psychosocial Approach to Curating Digital Art About Mental Distress Vanessa Bartlett 2019 University of New South Wales
00729 For Money’s sake! Introducing Redefinition Design – a method to break out of the ubiquitous monetary paradigm; in the hope of finding genuine alternatives. Austin Houldsworth 2018 Royal College of Art
00730 Evolution of the Subject - Synthetic Biology in fine Art Practice Louise Mackenzie 2017 Northumbria University
00731 Transcending Perception: An Exploration into Virtual, Mixed, and Expanded Reality John Desnoyers-Stewart 2018 University of Regina
00732 Visualizing the Temporal Space of Narratives Sean Yeager 2019 Pacific Northwest College of Art
00733 Humans Inside Nature:Shared Agency in Multi-species Art Kassandra bossell 2018 UNSW
00734 Audiovisual document search engine results visualized in a 3D environment for the I-Media-Cities platform Arianna Giordano 2019 Università degli Studi di Udine
00735 The South Sydney project : interaction and archive aesthetics jessica tyrrell 2015 University of Sydney
00736 In-between realities. Carlos Fadon Vicente's artistic photography works and its ramifications from 1975 to 2015 Carlos Edmundo Fadon Vicente 2016 Universidade de Évora, Portugal
00737 The Technological and the Real: The New Reality of the Technological Subject Kyounga Kwon 2018 Soongsil University in South Korea
00738 Systemic Interaction in Evolutionary Computational Art: A-memory garden, a practical and theoretical proposal of aesthetic research. Marilia Lyra Bergamo 2015 Federal University of Brasilia - UnB
00739 Strange Relations. A design inquiry into infrastructure as topological place. Carl Douglas 2018 Auckland University of Technology, Auckland, New Zealand
00740 Employing Natural History Collections in the Aid of Conservation: Streamlining an Approach to Model Species Distributions En Masse for the Preservation of Biodiversity Alice E. Fornari 2018 University of San Francisco
00741 The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement. Emit Snake-Beings 2016 University of Waikato, New Zealand
00742 Designing Responsive GUIs: An Intelligent Interface that Tailors Information Presentation by Responding to a User’s Cognitive State Rachael L. Paine 2018 North Carolina State University
00743 SOLS: reactive audio display of transduced sound frequencies of the celestial bodies of the solar system Gabriele Mullis 2019 Università degli studi di Udine
00746 _derivations and the Performer-Developer: Co-Evolving Digital Artefacts and Human-Machine Performance Practices Benjamin Carey 2016 University of Technology, Sydney
00747 Towards a Cognitive Poetics of Puppetry Pia Banzhaf 2017 Queen's Univerity, Kingston
00748 Mediating Femininity in the Interactive Performance Art: VALIE EXPORT, Marina Abramovic and Sonia Cillari Natalia Fuchs 2018 Danube University Krems
00749 Arte y precariedad. Nociones. Preceptos. Apegos. Contextos. Experiencias / Art and precariousness. Notions. Precepts. Bents. Contexts. Experiences. Arturo Cancio Ferruz 2018 University of the Basque Country UPV/EHU
00750 Responsive and Emotive Wearable Technology: physiological data, devices and communication Rain Ashford 2018 Goldsmiths, University of London
00751 Fashioning Accessibility: Bespoke Solutions for Eliminating Ablest Bias in the Apparel Industry Nicholas Paganelli 2019 The New School
00752 The Transdisciplinary Dilemma: Making SEAD in the Contemporary Research University Kari Zacharias 2018 Virginia Tech
00753 Sonder: an examination of how choice creates meaning and the narrative effects of agency Cyril Focht 2019 University of California Santa Cruz
00754 SOMATIC MONTAGE: SUPRA-DIMENSIONAL COMPOSITION IN CINEMA AND THE ARTS Clea Theresa von Chamier-Waite 2019 University of Southern California
00755 Audio-haptic relationships as compositional and performance strategies Lauren Hayes 2014 University of Edinburgh
00756 Inhabiting the Uninhabitable: Interdisciplinary strategies for creating other worlds Jane Grant 2018 University of Plymouth
00757 Conduit Yasong Li 2019 Parsons the School of Design
00758 Learning to use melodic similarity and contrast for narrative using a Digital Tabletop Musical Interface Andrea Franceschini 2016 The Open University, UK
00759 Wildly Oscillating Molecules of Unanticipated Momentum: Nanoscientific imaging, technological mediation and the moving image. Andrea Rassell 2019 RMIT University
00760 Audience - Performer Engagement in Live Dance Lida Theodorou 2018 Queen Mary University of London
00761 Self-Sufficient Images: Art, Media and Ecologies in the Works of Wolfgang Tillmans Sara R. Yazdani 2019 University of Oslo
00762 Vocal Empowerment for Young Egyptian Women: Increasing Contributions to Sustainable Development Sarah Fahmy 2019 University of Colorado Boulder
00763 The Transformative Nature of Networks within Contemporary Art Practice Garrett Lynch 2018 London South Bank University
00764 Designing The Virtual Reality Narrative: Embodiment & The Ludonarrative Dissonance Stefan Palitov 2018 Aalborg University, Media Arts Cultures Consortium
00765 Species interactions and climate change in the loss of Joshua trees and the role of eco-art for understanding multispecies connections Jennifer Harrower 2019 UC Santa Cruz