|
00656 |
Channelisation of Noise through a Rhythmic Grid: Brutalist Mechatronic Sound-sculpture |
Mo H. Zareei |
2016 |
Victoria University of Wellington |
|
00657 |
A Model of Sustainable Ecosystem for Software Development, Software Business and Music Education |
Lee Cheng |
2013 |
The Education University of Hong Kong |
|
00658 |
In Praise of Shadows: Study for a Light Composition in Space |
Nerea Castro-Vicente |
2017 |
University of Porto |
|
00660 |
Habitat 44º - The Art of Reconstruction |
Marcus A. Gordon |
2017 |
OCAD University |
|
00661 |
Is There A Place In Human Consciousness Where Surveillance Cannot Go? Noor: A Brain Opera |
Ellen Pearlman |
2017 |
School of Creative Media, Hong Kong City University |
|
00662 |
A Practical Investigation of Expectation in Acousmatic Music |
Louise Rossiter |
2017 |
De Montfort University |
|
00663 |
Sketching Sound: Gestural Interaction in Expressive Music Programming |
Spencer Salazar |
2017 |
Stanford University |
|
00664 |
Claiming Places: An Exploration of People’s Use of Locative Media and the Relationship to Sense of Place |
Glen Farrelly |
2017 |
University of Toronto |
|
00666 |
The artist as strategist - Topography in plastic creation in Paris at the beginning of the 21st century |
Julio Velasco |
2017 |
Université de Paris 1, Panthéon Sorbonne |
|
00667 |
Building Brave New Worlds: Science Fiction and Transition Design |
Leah Zaidi |
2017 |
OCAD University |
|
00668 |
Artistic narratives at heterogeneous environments: an analysis of Global Strike project |
Clayton Policarpo |
2015 |
Pontifical Catholic University of São Paulo (Brazil) |
|
00669 |
Improving Community Engagement through Urban Physical and Technological Experiences |
Octavio Juarez |
2015 |
Ontario College of Arts and Design University (OCADU) |
|
00670 |
Poetry and Reason: Means and Meanings of the Moving Image |
Iona Pelovska |
2015 |
Ryerson/York |
|
00671 |
Choreographing Time: Developing a System of Screen-less Animation |
Carol MacGillivray |
2014 |
Goldsmiths, University of London |
|
00672 |
Machines for Living |
Robert Twomey |
2018 |
University of Washington |
|
00673 |
The Palenque Design: Children's Discovery Learning Experience in an Interactive Multimedia Environment |
Kathleen S. Wilson |
1988 |
Harvard University |
|
00674 |
Blovels, Twovels and Cell Phone Novels: Bridges to Literature or Roads to Nowhere? |
Kathleen S. Wilson |
2010 |
Vermont College of Fine Arts |
|
00675 |
Extrasolar nebulization - Transmedia time capsule for an artistic exploration of space travels and hyperspace |
Ludwig Pasenau |
2018 |
Université de Toulouse |
|
00676 |
reimagining civic education |
Katherine Fisher |
2017 |
Parsons, The New School |
|
00677 |
Aesthetic informational systems: Towards an ontology of computer-generated aesthetic artefacts |
Rodrigo Hernandez Ramirez |
2018 |
University of Lisbon |
|
00678 |
Glitch Art: Noise as a creative act. Challenging the myth of a perfect technology |
Alexandra Speiser |
2017 |
Donau-Universität Krems |
|
00680 |
The politics of manipulated images in social media |
Samik Kharel |
2017 |
Danube University Krems |
|
00681 |
Media Manipulation And New Generations |
haijing zhang |
2018 |
Parsons The New School of Design |
|
00682 |
Musical Serendipity – Designing for Contextual Music Recommendation and Discovery |
Pirkka Åman |
2018 |
Aalto University |
|
00683 |
A Road Map for a City of the Future |
Vicente Esteban Perez (Vinny Montag) |
2017 |
Royal College of Art |
|
00684 |
Virtual Apparitions, Digital Ghosts: A Sculptural Manifestation of a Social Network |
Colleen Jennings |
2018 |
University of California, Santa Cruz |
|
00685 |
Counterfactualism – a new category for fine arts and humanities, dealing with the retrospective analysis of turning points in life |
Elke Reinhuber |
2014 |
University of New South Wales, Sydney, Australia |
|
00687 |
Sandbox of Memory: A Virtual Reality experiment in de-colonial immersive storytelling |
Parul Wadhwa |
2018 |
University of California Santa Cruz |
|
00688 |
Exile, psycho-trauma and art practice: How art practice can help the exiled |
Caglar Tahiroglu |
2018 |
Central Saint Martins, University of Arts London |
|
00689 |
Through the Optic of Design: Self-tracking and the Permanence of Change |
James Dyer |
2018 |
University of Huddersfield |
|
00690 |
The learning observed by Maria Sibylla Merian: contributions to the learning of the insects mediated by technology of information and communication |
Elaine Ferreira Machado |
2016 |
Universidade Tecnológica Federal do Paraná |
|
00691 |
Bay Area Experimentalism: Music and Technology in the Long 1960s |
Theodore Gordon |
2018 |
University of Chicago |
|
00692 |
Gaze Relations: Looking as Power |
Anthony Assi |
2018 |
University of California, Santa Cruz |
|
00693 |
Art on the Internet and the Digital Public Sphere, 1994 - 2003 |
Megan Driscoll |
2018 |
University of California, Los Angeles |
|
00694 |
Working Through: Characterising and Evaluating Skill with Digital Musical Interactions |
Adnan Marquez-Borbon |
2013 |
Queen's University Belfast |
|
00695 |
Romantic Objectivism: Diagrammatic thought in Contemporary Art |
Michael Whittle |
2014 |
Kyoto City University of Arts |
|
00697 |
St. George and the Dragon: Design and production of a cultural heritage museum installation using media archaeology |
Mercedes Felicia Brianne Said |
2018 |
Aalto University |
|
00698 |
Matter in actuality: the relationship between design and materiality within digital material production |
Ianis Lallemand |
2017 |
PSL Research University (Paris) / École nationale supérieure des Arts Décoratfs (Paris) |
|
00699 |
Transfiguration of visuality: representation and perception through multimedia objects embedded in virtuality |
Israel López |
2018 |
Universidad de Guanajuato |
|
00700 |
Listening Patterns. From Music to Perception and Cognition |
Massimiliano Viel |
2018 |
University of Plymouth |
|
00701 |
Shapeshifting the Colonial Object |
Sarah Rosalena Brady |
2018 |
University of California Los Angeles |
|
00703 |
Mass Customisation in the Furniture Design Industry: the case of Thonet chairs |
Mario Barros |
2015 |
University of Lisbon |
|
00704 |
TRANSGENIC BACTERIA, BRUSHES AND LAB BENCH: experimentation between Science and Art territories |
Fabíola Simões Rodrigues da Fonseca |
2017 |
Universidade Federal de Uberlândia |
|
00705 |
'Ah Ha' Moments: Novice Choreographers Using Defamiliarization in Digital Choreographic Technologies |
Kristin Carlson |
2016 |
Simon Fraser University |
|
00706 |
No in Disguise: Algorithmically Targeted Conversations about Sexual Consent |
Simon Boas |
2018 |
University of California, Santa Cruz |
|
00707 |
An Investigation of Holographic Technologies Applied to Contemporary Art Practice - A new approach to define temporal aesthetics |
Yin-Ren Chang |
2018 |
De Montfort University |
|
00708 |
The Invention of The Screen |
Cecile-Marie Martin |
2017 |
Université Paris 3 |
|
00709 |
Expanded (Im)materialities: A Postmedial and Neomaterial Discussion on the Collection and Preservation of Media Arts |
C. Rodrigo Guzman Serrano |
2018 |
Danube University Krems |
|
00710 |
Cell Portraits: recognising the body through representations of cancer cells in the public domain. |
Julie Light |
2018 |
University of the Arts, London |
|
00711 |
T IS NECESSARY TO REFLECT ON EPIDEMIC THE FILM CONTAGION AND ITS APPLICATION TO THE INFORMAL TEACHING OF SCIENCE AND HEALTH |
Leonardo Cássio da Cruz Teixeira |
2018 |
Programa de Pós-Graduação Ensino em Biociências e Saúde - Instituto Oswaldo Cruz/FIOCRUZ - RJ - BRASIL |
|
00712 |
Subjectivity and Synchrony in Artistic Research |
Johanna Schindler |
2018 |
Zeppelin University, Friedrichshafen / Germany |
|
00713 |
THE ROLE OF VIDEOGAM E GLITCH IN ADULT LEARNING |
Beatriz Albuquerque |
2018 |
Teachers College, Columbia University, New York. |
|
00714 |
The Renaissance of the Relationship Between Art and Science: Possibilities From Discussions Between the Codex of Galileo and Cigoli at the 17th Century |
Josie Agatha Parrilha Da Silva |
2013 |
State University of Maringa |
|
00715 |
Game Design Therapoetics: Autopathographical Game Authorship as Self-Care, Self-Understanding, and Therapy |
Sandra Danilovic |
2018 |
University of Toronto |
|
00716 |
Fake News in Tactical Media and in Social Media: How tactical media practices of fake news differ from fake news on social media |
Hadas Emma Kedar |
2018 |
Danube University Krems |
|
00717 |
Mediating Intimacy: An Affective Experience between the Innermost and the Interface |
Rabia Shamail Kazmi |
2018 |
University of Łódź |
|
00718 |
Sound Art as Media Art Legacy: Documentation of an Endangered Practice |
Ina Ciumakova |
2018 |
Aalborg University |
|
00720 |
Performing the Flesh: Subject/Object Oscillations of the Body |
Alice Weber |
2018 |
Trinity Laban Conservatoire of Music and Dance |
|
00721 |
Mapping Affinities: Visualizing Academic Practice Through Collaboration |
Dario Rodighiero |
2018 |
École polytechnique fédérale de Lausanne (EPFL) |
|
00722 |
CRYOSPHERE: Frozen in Time |
Christophe ivins |
2018 |
University of California, Santa Cruz |
|
00723 |
Art&Science: Towards Post-Disciplinary Curating |
Bilge Hasdemir |
2018 |
University of Łódź |
|
00724 |
Knowledge networks of new media artists |
Fereshteh Adi Saatlo Anzures |
2018 |
Erasmus University Rotterdam |
|
00725 |
From Artworks to Artworlds: Information Efflorescence and Complex Systems Aesthetics |
Jason Hoelscher |
2018 |
Institute for Doctoral Studies in the Visual Arts |
|
00726 |
Portfolio of Original Compositions |
Dr. Mario Duarte |
2017 |
The University of Manchester |
|
00727 |
TECHNOLOGY AND SOCIETY: C0NTR0L_OR THE 1LLUS1ON OF |
Santiago Messier Restrepo |
2019 |
School of Visual Arts |
|
00728 |
Containing and Holding: A Psychosocial Approach to Curating Digital Art About Mental Distress |
Vanessa Bartlett |
2019 |
University of New South Wales |
|
00729 |
For Money’s sake! Introducing Redefinition Design – a method to break out of the ubiquitous monetary paradigm; in the hope of finding genuine alternatives. |
Austin Houldsworth |
2018 |
Royal College of Art |
|
00730 |
Evolution of the Subject - Synthetic Biology in fine Art Practice |
Louise Mackenzie |
2017 |
Northumbria University |
|
00731 |
Transcending Perception: An Exploration into Virtual, Mixed, and Expanded Reality |
John Desnoyers-Stewart |
2018 |
University of Regina |
|
00732 |
Visualizing the Temporal Space of Narratives |
Sean Yeager |
2019 |
Pacific Northwest College of Art |
|
00733 |
Humans Inside Nature:Shared Agency in Multi-species Art |
Kassandra bossell |
2018 |
UNSW |
|
00734 |
Audiovisual document search engine results visualized in a 3D environment for the I-Media-Cities platform |
Arianna Giordano |
2019 |
Università degli Studi di Udine |
|
00735 |
The South Sydney project : interaction and archive aesthetics |
jessica tyrrell |
2015 |
University of Sydney |
|
00736 |
In-between realities. Carlos Fadon Vicente's artistic photography works and its ramifications from 1975 to 2015 |
Carlos Edmundo Fadon Vicente |
2016 |
Universidade de Évora, Portugal |
|
00737 |
The Technological and the Real: The New Reality of the Technological Subject |
Kyounga Kwon |
2018 |
Soongsil University in South Korea |
|
00738 |
Systemic Interaction in Evolutionary Computational Art: A-memory garden, a practical and theoretical proposal of aesthetic research. |
Marilia Lyra Bergamo |
2015 |
Federal University of Brasilia - UnB |
|
00739 |
Strange Relations. A design inquiry into infrastructure as topological place. |
Carl Douglas |
2018 |
Auckland University of Technology, Auckland, New Zealand |
|
00740 |
Employing Natural History Collections in the Aid of Conservation: Streamlining an Approach to Model Species Distributions En Masse for the Preservation of Biodiversity |
Alice E. Fornari |
2018 |
University of San Francisco |
|
00741 |
The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement. |
Emit Snake-Beings |
2016 |
University of Waikato, New Zealand |
|
00742 |
Designing Responsive GUIs: An Intelligent Interface that Tailors Information Presentation by Responding to a User’s Cognitive State |
Rachael L. Paine |
2018 |
North Carolina State University |
|
00743 |
SOLS: reactive audio display of transduced sound frequencies of the celestial bodies of the solar system |
Gabriele Mullis |
2019 |
Università degli studi di Udine |
|
00746 |
_derivations and the Performer-Developer: Co-Evolving Digital Artefacts and Human-Machine Performance Practices |
Benjamin Carey |
2016 |
University of Technology, Sydney |
|
00747 |
Towards a Cognitive Poetics of Puppetry |
Pia Banzhaf |
2017 |
Queen's Univerity, Kingston |
|
00748 |
Mediating Femininity in the Interactive Performance Art: VALIE EXPORT, Marina Abramovic and Sonia Cillari |
Natalia Fuchs |
2018 |
Danube University Krems |
|
00749 |
Arte y precariedad. Nociones. Preceptos. Apegos. Contextos. Experiencias / Art and precariousness. Notions. Precepts. Bents. Contexts. Experiences. |
Arturo Cancio Ferruz |
2018 |
University of the Basque Country UPV/EHU |
|
00750 |
Responsive and Emotive Wearable Technology: physiological data, devices and communication |
Rain Ashford |
2018 |
Goldsmiths, University of London |
|
00751 |
Fashioning Accessibility: Bespoke Solutions for Eliminating Ablest Bias in the Apparel Industry |
Nicholas Paganelli |
2019 |
The New School |
|
00752 |
The Transdisciplinary Dilemma: Making SEAD in the Contemporary Research University |
Kari Zacharias |
2018 |
Virginia Tech |
|
00753 |
Sonder: an examination of how choice creates meaning and the narrative effects of agency |
Cyril Focht |
2019 |
University of California Santa Cruz |
|
00754 |
SOMATIC MONTAGE: SUPRA-DIMENSIONAL COMPOSITION IN CINEMA AND THE ARTS |
Clea Theresa von Chamier-Waite |
2019 |
University of Southern California |
|
00755 |
Audio-haptic relationships as compositional and performance strategies |
Lauren Hayes |
2014 |
University of Edinburgh |
|
00756 |
Inhabiting the Uninhabitable: Interdisciplinary strategies for creating other worlds |
Jane Grant |
2018 |
University of Plymouth |
|
00757 |
Conduit |
Yasong Li |
2019 |
Parsons the School of Design |
|
00758 |
Learning to use melodic similarity and contrast for narrative using a Digital Tabletop Musical Interface |
Andrea Franceschini |
2016 |
The Open University, UK |
|
00759 |
Wildly Oscillating Molecules of Unanticipated Momentum: Nanoscientific imaging, technological mediation and the moving image. |
Andrea Rassell |
2019 |
RMIT University |
|
00760 |
Audience - Performer Engagement in Live Dance |
Lida Theodorou |
2018 |
Queen Mary University of London |
|
00761 |
Self-Sufficient Images: Art, Media and Ecologies in the Works of Wolfgang Tillmans |
Sara R. Yazdani |
2019 |
University of Oslo |
|
00762 |
Vocal Empowerment for Young Egyptian Women: Increasing Contributions to Sustainable Development |
Sarah Fahmy |
2019 |
University of Colorado Boulder |
|
00763 |
The Transformative Nature of Networks within Contemporary Art Practice |
Garrett Lynch |
2018 |
London South Bank University |
|
00764 |
Designing The Virtual Reality Narrative: Embodiment & The Ludonarrative Dissonance |
Stefan Palitov |
2018 |
Aalborg University, Media Arts Cultures Consortium |