00441 |
From networked art to programmed drifts : "art as experience" today |
Karen O'Rourke |
2011 |
Université Paris 1 |
00442 |
Effortful Interaction: A New Paradigm for the Design of Digital Musical Instruments |
Nicholas Ward |
2013 |
Queen's University Belfast |
00443 |
The Politics and Poetics of Coexistence: Experiments At The Intersection Of Art And Environmental Engineering |
Tega Brain |
2012 |
Queensland University of Technology |
00444 |
Languages of Russian and Chinese narrative video art |
Victoria Marchenkova |
2013 |
RSUH |
00445 |
Felt_Space infrastructure: Hyper vigilant spatiality to valence the visceral dimension. |
Dr Mathew Henry Emmett |
2013 |
Plymouth University UK |
00446 |
Estructuras Narrativas Lúdicas: Un resorte creativo para artistas digitales |
Xochitl Tortolero Cervantes |
2013 |
Universidad Politécnica de Valencia |
00447 |
Reuniting Science and Art Through Museum Exhibitions |
Monika Lea Jones |
2014 |
San Francisco State University |
00448 |
Axial; a Sound Art Work of an Oceanographic Expedition |
Hugo Solís |
2014 |
University of Washington |
00449 |
Presence, Immersion and the Panorama: a theoretical, technical and artistic investigation into the nature of presence and immersion in virtual reality. |
Matthew McGinity |
2014 |
University of New South Wales |
00450 |
Three-Dimensional Poetic Natures |
Jayne Fenton-Keane |
2008 |
Griffith University |
00451 |
Laser Techniques As An Approach to enrich The Contemporary Visual Arts. |
Diaa Ahmed Mohamed Ahmedien |
2011 |
Helwan University, Cairo, Egypt. |
00452 |
Ocularium Lucis: Light and Optical Theory in Guarino Guarini's Church of San Lorenzo |
Noé Badillo |
2012 |
The University of Arizona |
00453 |
Do any illustrations of evolution by natural selection actually illustrate evolution by natural selection? |
Rebecca Price |
2014 |
University of the Arts London |
00454 |
Interactive Spaces in Art Museums |
SALİHA NESLİ GÜL |
2014 |
Yildiz Technical University |
00455 |
Phasing Loops |
Rodrigo Stromberg Guinski |
2012 |
Texas A&M University |
00456 |
In Search of the 'Anti-Environment': Breaking the ___________ distance |
Harsha Biswajit |
2014 |
School of Visual Arts |
00457 |
RELATIONS BETWEEN BIOPOLITICS AND ECO-AESTHETICS IN THEORIES OF ARTS AND MEDIA |
Milena Popov |
2013 |
University of Arts Belgrade |
00458 |
On Computational Ecosystems in Media Arts |
Rui Filipe Antunes |
2014 |
University of London, United Kingdom |
00459 |
Symbiogenic Experience and the Emergent Arts: Cybernetics, Art and Existential Phenomenology |
Carlos Castellanos |
2014 |
Simon Fraser University |
00460 |
Motion Within Motion: Investigating Digital Video in Light of Substantial Motion |
Azadeh Emadi |
December 2014 |
Auckland University of Technology, New Zealand |
00461 |
The Music One Participates In: Analysis of participatory musical practice at the beginning of 21st century |
Kazuhiro Jo |
2015 |
Kyushu University |
00462 |
The Artists' Footprint: Investigating the distinct contributions of artists engaging the public with climate data |
Rachel Jacobs |
2014 |
University of Nottingham |
00463 |
Communicating Science: Explorations through Science and Art |
Eleanor Gates-Stuart |
2014 |
Australian National University |
00465 |
The theatrical experience as human transformation: theater and neuroscience of emotions |
Dorys Faria Calvert |
2014 |
|
00466 |
BODY: ART SHOW/STAGE OF SCIENCE |
Fatima Alfredo |
2017 |
Universidade Federal do Rio de Janeiro |
00467 |
Identification Mathematical Patterns and Behavioral-physiological isomorphisms In Expression Of Model Abstract Art |
Danilo Andrade de Meneses |
2015 |
Universidade Federal do Rio de Janeiro |
00468 |
Experience and Viewpoints in the Social Domain of Space Technology |
Joanna Griffin |
2014 |
Plymouth University |
00469 |
Supporting Music Composition With Interactive Paper |
Jérémie Garcia |
2014 |
Université Paris-Sud |
00470 |
Autopoietic-Extended Architecture: Can Buildings Think? |
Dennis Dollens |
2015 |
University of Edinburgh |
00471 |
WHAT TOUCHES US, WHAT WE TOUCH: EMERGENT MATERIALS TO THE TEST OF CONTEMPORARY ART. |
Dominique GONIN PEYSSON |
2014 |
Paris 1 Pantheon Sorbone |
00472 |
Architecture as optical machine. A visual deformation through light. |
Eleni-Ino Theodorou |
2014 |
Universite Paris 8 (France) & Athens School of Fine Arts (Greece) |
00473 |
LC: A MOSTLY-STRONGLY-TIMED PROTOTYPE-BASED COMPUTER MUSIC PROGRAMMING LANGUAGE THAT INTEGRATES OBJECTS AND MANIPUNATIONS FOR MICROSOUND SYNTHESIS |
Hiroki Nishino |
2014 |
National University of Singapore |
00474 |
A postcolonial critique of industrial design: A critical evaluation of the relationship of culture and hegemony to design practice and education since the late 20th century. |
Taslima Begum |
2015 |
University of Plymouth |
00475 |
DECOUPLING AND CONTEXT IN NEW MEDIA ART |
Tomás Laurenzo |
2014 |
Universidad de la República |
00476 |
Exploring Naming Behavior In Personal Digital Image Collections: The Iconology And Language Games Of Pinterest |
Tami Sutcliffe |
2014 |
University of North Texas |
00478 |
Mediating Poles: Media Art and Critical Experiments of the Polish Site, 2004-2009 |
Aleksandra Kaminska |
2012 |
York University |
00479 |
Extending Opera – Artist-led Explorations in Operatic Practice through Interactivity and Electronics |
Carl Unander-Scharin |
2014, Thesis defended January 29, 2015 |
KTH Royal Institute of Technology |
00480 |
Failures and Other Strange Biological Objects |
Isabelle Desjeux |
2010 |
Lasalle College of the Arts (Singapore) |
00481 |
Outline of a Subversive Technopoetic: for a Libertarian Pedartgogy |
Francesco Monico |
2013 |
Plymouth University |
00482 |
Mapping Dynamic Relations in Sound and Space Perception |
Luca Forcucci |
2015 |
De Montfort University, Leicester, UK |
00483 |
Actor-Network Music: A Paradigm for Distributed, Networked Music Composition |
Kelly Michael Fox |
2015 |
Rensselaer Polytechnic Institute |
00484 |
A historical enquiry into the animation unit, situated within the South African Broadcasting Corporation (SABC) 1976-1988 |
Shanaz Shapurjee |
2009 |
University of the Witwatersrand |
00485 |
The Go-Between. The Audiovisual Archive as a Mediator Between Copyright and Film Historiography. |
Claudy Op den Kamp |
2015 |
University of Plymouth, UK |
00486 |
Objects Wrapped in Dreams Wrapped in Objects |
prOphecy sun |
2015 |
Emily Carr University of Art + Design |
00489 |
A Hyper-media & Project-based Approach to Music, Sound & Media Art |
Marinos Koutsomichalis |
2015 |
De Montfort University |
00490 |
Coactive Systems - Art and science research focused on phytoplankton |
Gene A. Felice II |
2014 |
UC Santa Cruz |
00491 |
Interactive Art Objects in New Media Art: Works of Olga Kisseleva from 1990s to 2010s |
Alexander Kiryutin |
2014 |
Ural Federal University named after the first President of Russia B.N.Yeltsin |
00492 |
Climate Change: A Different Subjectivity? |
Roslyn Ellen Taplin |
2015 |
Queensland College of Art - Griffith University |
00493 |
The Harmonic Pattern Function: A Mathematical Model Integrating Synthesis of Sound and Graphical Patterns |
Lance Putnam |
2012 |
University of California, Santa Barbara |
00494 |
Digital Debris of Internet Art: An Allegorical and Entropic Resistance to the Epistemology of Search |
Nils Jean |
2015 |
Royal College of Art |
00495 |
Affect and the experimental design of domestic products |
Guy Keulemans |
2015 |
University of New South Wales |
00496 |
Embroidery Designs at Embroidery MIX |
DrotAcrorge |
|
Version 1, Version 2 |
00497 |
Facilitating Human Computer Interaction Artworks: The Nature of Interactivity Within Architectonic Schemes |
Luba Diduch |
2015 |
Bath Spa University |
00498 |
Aesthetics of seams. The emergence of media properties |
Alessio Chierico |
2016 |
Kunstuniversität Linz (Austria) |
00499 |
Musical Composition Techniques of Maurice Ravel and Toru Takemitsu To Digital Cinema |
Dr. Wen-Shing Ho |
2013 |
Waseda University, Tokyo Japan |
00500 |
Other-Worlds: encounters with the visual perception of lungfishes through science and art |
Audrey Appudurai |
2015 |
The University of Western Australia |
00501 |
Computer Vision and Contemporary Visualities: Compositions of Seeing and the Visible Between Technics, Science, and Art |
André Goes Mintz |
2015 |
Universidade Federal de Minas Gerais |
00502 |
Affective Enactive Systems in Art and TechnoScience: Vital Experiences of Displacement in the City |
Tiago Franklin Rodrigues Lucena |
2013 |
University of Brasilia |
00503 |
Listening art: making sonic artworks that critique listening |
Camille Robinson |
2016 |
University of Melbourne |
00504 |
Constructive Visualization : A token-based paradigm allowing to assemble dynamic visual representation for non-experts |
Samuel Huron |
2015 |
UNIVERSITE PARIS-SUD |
00506 |
Bringing the Future to Life |
Trevor Haldenby |
2013 |
OCAD University |
00507 |
Waste media pedagogy: Soundscape composition as responsive spatial practice |
Pietro Sammarco |
2015 |
Simon Fraser University |
00508 |
Drawing Machines & The Representation of Reality |
Pedro Maia |
2010 |
School of Fine Arts - University of Porto |
00510 |
A Machine that Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork |
Benjamin David Robert Bogart |
2014 |
Simon Fraser University |
00511 |
Behind the Silicon Curtain: Computer Art in the Eastern Bloc |
Todor Bozhinov |
September 2015 |
University of the Arts Bremen |
00512 |
Chicano New Media Art |
Ricardo Cortez |
2015 |
San Jose State University |
00514 |
Unfolding Space |
Julieta Aguilera |
2006 |
University of Illinois at Chicago |
00515 |
Artistic anti-fraud activism against online advance fee fraud |
Andreas Zingerle |
2016 |
University of Art and Design Linz, Austria |
00517 |
Seeing the Unseen: Rafael Lozano-Hemmer's Pulse Based Works |
Claudia Arozqueta |
2013 |
Danube University Krems, Austria |
00518 |
Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art |
Helen Gregory |
2016 |
University of Western Ontario |
00519 |
The Regime of Amplification |
John C. Hopkins |
2013 |
UTS & La Trobe University |
00520 |
Reverence and Reference: Meaning in Virtual Reality |
Julieta Aguilera |
1997 |
University of Notre Dame |
00521 |
Nature as Discourse: A Co-evolutionary Systems Approach to Art and Environmental Design |
Susannah Hays |
May 2016 |
University of California, Berkeley |
00522 |
Magic Objects: transforming objects of virtual subjectiveness into interactive adventures in mixed reality systems |
Carmen Platero Vázquez |
2016 |
Universitat Pompeu Fabra |
00523 |
A Study on Method to Enhance Effectiveness and Presence of Interactivity in Networked Performance : Based on the Analysis of ‘Good Morning Mr. Orwell’ |
Jungsun Park |
2013 |
Korea Advanced Institute of Science and Technology |
00524 |
Curating web-based art exhibitions: mapping their migration and intergration with offline formats of production |
Marialaura Ghidini |
2015 |
University of Sunderland |
00525 |
Prácticas divergentes de preservación del arte de los medios. Recordar y olvidar en la cultura digital [Divergent Practices of Media Art Preservation. Remembering and Forgetting in the Digital Culture] |
Vanina Yael Hofman |
2016 |
Universitat Oberta de Catalunya |
00526 |
On the Evolution of the Heavenly Spheres: An Enactive Approach to Cosmography |
David McConville |
2014 |
Plymouth University |
00527 |
Dance Illusioning the Cyborg: Technological Themes in the Movement Practices and Audience Perception of Three Urban Dance Styles |
Diego S. Maranan |
2012 |
Simon Fraser University |
00528 |
Mixing the library: information interaction and the DJ |
Daniel Norton |
2013 |
University of Dundee |
00530 |
Points de vue |
Yves Candau |
2015 |
Simon Fraser University |
00531 |
Edges of Color: An exploration of colored light in a tech culture environment |
David Harris |
2016 |
University of California, Santa Cruz |
00532 |
Generative Art as Experiment |
Andres Wanner |
2013 |
Emily Carr University of Art and Design, Vancouver, Canada |
00533 |
Black Body Radiation |
Melisa Palacio / Claire Dorweiler |
2016 |
Bauhaus-Universtät Weimar, Germany |
00535 |
Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art |
German Alfonso Nunez |
2016 |
University of the Arts London |
00536 |
The Characteristics of Contemporary Digital Interactive Art |
Yu-Chuan Tseng |
2010 |
National Chiao Tung University, Taiwan, Hsinchu |
00537 |
A Theory on Musical Translation |
Benjamin O'Brien |
2015 |
University of Florida |
00538 |
Eleutheromania |
Morgan McAllister |
2016 |
UCSB |
00539 |
Exploring the Cognitive Correlates of Artistic Practice using a Parameterized Non-Photorealistic Toolkit |
Stephen DiPaola |
2013 |
University of British Columbia |
00540 |
Metaphors in the responsive artistic installations |
Josefina López Aguayo |
2016 |
University of Barcelona (UB) |
00541 |
Bioart as a Space for Identity Conceptualization: Figuring the Human Body Under the Scope of Biotechnologies |
Marianne Cloutier |
2015 |
Université du Québec à Montréal |
00542 |
"Being and Becoming: Physics, Hegemony, Art and the Nomad in the Works of Ezra Pound, Marcel Duchamp, Samuel Beckett, John Cage and Thomas Pynchon." |
Dr. Martin E. Rosenberg |
1990 |
University of Michigan Rackham Graduate School |
00543 |
Polyphibianism: Evolving Transdisciplinarity into an Imaginary Organism of Living Knowledge |
Živa Ljubec |
2015 |
Plymouth University |
00544 |
Media arts and social transformation in Chile during transition period 1990-2014 |
Valentina Montero Peña |
2015 |
Barcelona University |
00545 |
Configuring Corporeality: Performing bodies, vibrations and new musical instruments |
Marco Donnarumma |
2015 |
Goldsmiths, University of London |
00546 |
Postgenomic Identity: Art and Biopolitics |
Heather Dewey-Hagborg |
2016 |
Rensselaer Polytechnic Institute |
00547 |
VASTAL: The Vivoarts School for Transgenic Aesthetics, Ltd. |
Adam Zaretsky |
2012 |
Rensselaer Polytechnic Institute (RPI) |
00548 |
Contagious Matters: The social constructs of cancer culture |
Tristan Matheson |
2016 |
Concordia University |
00549 |
Whimsical Bodies: Agency and Playfulness in Robotic Art |
Treva Michelle Pullen |
April 2016 |
OCAD University |
00550 |
Bioart under the lens of a Kantian microscope. |
Jessica Donato |
2015 |
Goldsmiths College |