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Total Records Found: 872, showing 100 per page
LABS IDThesis TitleAuthorYearUniversity
00340 Genetic art and Recombinants: Introns Non-code and the Proto-animate Condition Andre Brodyk 2009 University of New South Wales
00341 MINDtouch - Ephemeral Transference: ‘Liveness’ in Networked Performance with Mobile Devices Camille BAKER 2010 SMARTlab Digital Media Institute (University of East London awarding university)
00342 Virtual Reality Applications in Television Scenes Sharif El-Sayed Sharif 2004 Alexandria University
00343 A SoftGIS Revision: Towards Digitally Mediated Locative Dialogue is Support of Urban Planning Sara Jacobsen 2012 Aalto University, School of Arts, Design and Architecture
00344 Play in Digital Media Art: Interaction, Interfaces, Subversion Laetitia Wilson 2010 University of Western Australia
00345 SPACE HABITABILITY. Integrating Human Factors into the Design Process to Enhance Habitability in Long Duration Missions Irene Lia Schlacht 2012 Technische Universität Berlin
00346 Music to be seen. The Diatope (1978) by Iannis Xenakis Eleni Michaelidi 2011 Donau Universitaet Krems, Austria
00347 The Grammar of New Media. Descriptive Metadata in Database Archives for Media Art. Nina Wenhart 2010 Danube University Krems, Austria
00348 Understanding Fukushima. Designing for an embodied interaction with citizen science data Ben Dromey 2012 Aalto University, School of Arts, Design and Architecture
00349 Neural Networks In New Media Art Tim Barrass 2005 Melbourne University
00350 Structuring Somnolence: sleep science technology as a medium for drawing with the body at rest Lisa Carrie Goldberg 2011 The University of Western Australia
00351 Time and space compression in cyberspace art Avi Rosen 2010 Tel Aviv University
00353 Art after the Algorithmic Revolution: A Semiotic Approach to Digital Art Isabella Lomanto 2011 University of Applied Sciences Bremerhaven, Germany
00354 The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic Art Michael Austin 2011 University of Texas at Dallas
00355 Situated Networks: in [re]search of the public T. F. Tierney 2009 University of California Berkeley
00356 Poetics of the Interface: Creating Works of Art That Engage in Self-Reflection Miguel Santos 2011 Sheffield Hallam University
00357 Transactional Arts - Art as the Exchange of Values and the Conversion of Capital Daniela Alina Plewe 2010 Sorbonne Paris 1
00358 Trans-action: an actor-network approach to interactivity in the visual arts Mark Cypher 2011 University of Western Australia
00359 An Experimental Research into Inhabitable Theories Claudia Westermann 2011 University of Plymouth
00360 The Representation of the Monstrous Feminine in the Selected Works of C.S. Lewis, Roald Dahl and Philip Pullman (PhD thesis module 2.1) Wing Bo TSO 2010 The University of Birmingham
00361 Remediation by Inspiration: Artist-driven models for Environmental Cleanup Jessica Fain 2011 Massachusetts Institute of Technology
00362 Embodied Composition. Treatment and Meaning of Physical Object in Experimental Music and Sound Art Svetlana Maras 2011 Aalto university School of Art and Design
00363 I Move In Decades Ellen Pearlman 2011 University of Calgary
00364 Designing Fabric Interactions. A Study of Knitted Fabrics as an Electronic Interface Medium Ramyah Gowrishankar 2011 Aalto university School of Art and Design
00365 Fulldome Content Production. A Bricoleur's Approach. Jonathan Cremieux 2011 Aalto University School of Art and Design
00366 The Revolution is Hear! Sound Art, the Everyday and Aural Awareness Florian Hollerweger 2011 Queen's University Belfast
00367 UNCAGED: A novel, ‘telesymbiotic’ approach to bridge the divide between the physical world and the virtual world of computers? Ralf Nuhn 2006 Middlesex University, London (UK)
00368 Human Resources: Artistic Labour and the Limits of Critique in North American and Western European Art of the 1990s Bill Roberts 2010 Courtauld Institute of Art, University of London
00369 Envisaging alternatives for practice: A study into the way concepts of sustain-ability can be explored within an Interactive Media Arts practice. Gavin Sade 2011 Queensland University of Technology
00370 Lingua Extraterrestris: lessons in universal communication or the communication designer's understanding of CETI in science and fiction Marek Kultys 2011 University of the Arts London
00371 Hybrids in Art. Theoretical Perspectives on Art in the Age of Genetics: The transgenic art of Eduardo Kac Nora Sørensen Vaage 2011 University of Bergen
00372 Mnemovie: Visual Mnemonics for Creative Interactive Video Michael Leggett 2009 University of Technology Sydney
00373 The Place Of The Viewer's Expansion in Optical Systems: The Use Of Time in Media and its Spatial Applications Christopher Michael Caporlingua 2011 The University at Buffalo, The State University of New York
00374 A developmental system for organic form synthesis Benjamin Porter 2011 Monash University
00375 in vitero: Exploring an interspecies aesthetic of care Tarsh Bates 2012 The University of Western Australia
00376 Inside out: Myself as Diana. Audiovisual and participatory installation. The femenine representation and the relation between public and private. Patrícia João Barbosa Moreira Reis 2011 Universidade Lusófona de Humanidades e Tecnologias
00377 Crafting Synthetics: Interdisciplinary Art and Life's New Design Britt Wray 2012 Ontario College of Art and Design University
00378 Aesthetics & Art in the Early Development of Human-Computer Interfaces Nader Salha 2012 University of Bremen
00379 Modularity and Space Juxtaposition: Beyond Site-specificity in Art On Ni Wan 2012 University of Washington
00380 Neocybernetic Art or Affect and Conversation in the Animal and the Machine Guilherme Kujawski 2012 Danube University Krems
00381 Superposed states: a mathematical model proposal for 3D games Marcos Cuzziol 2012 University of Sao Paulo
00382 to/from. Designing a Non-Verbal Reciprocal Online Connection. Case study of Japan Support Flags. Satoko Hinomizu 2012 Aalto University, School of Arts, Design and Architecture
00383 A (Dis)Connected Twenty-Six: Translation, Codes and Collage in Interactive Design Jessica S. Barness 2012 University of Minnesota
00384 Tropism-oriented generative design: analogical models for heterogeneous goal integration Victor Bunster 2011 The University of Melbourne
00385 (RE)embodying Biotechnology: Towards the Democratization of Biotechnology Through Embodied Art Practices. Jennifer Willet 2009 Concordia University
00386 Automatic Adaptation of Sound Analysis and Synthesis Marco Liuni 2012 Università di Firenze - UPMC Paris 6
00387 The Radio of the Future Redux: Rethinking transmission through experiments in radio art Anna Friz 2011 York University, Toronto
00388 ON BINAURAL SPATIALIZATION AND THE USE OF GPGPU FOR AUDIO PROCESSING Davide Andrea Mauro 2012 Università degli Studi di Milano
00389 Re-negotiating social space: Public art installations and interactive experience Linda Ryan Bengtsson 2012 Karlstad University
00390 Languages,Interactive online museum of man-machine languages Fosca Salvi 2012 Iuav, university of Venice
00391 I Mirabilia, taking care of the emotional life of hospitalized children Erika Rossi 2011 Iuav University of Venice
00392 The Commercialisation of Space Flight will lead to a New Renaissance Nigel Banks 2011 Plymouth, UK
00393 The Construction of Locative Situations: the production of agency in Locative Media art practice. Conor McGarrigle 2012 Dublin Institute of Technology
00394 Latency: Music Composition and Technology Solutions for Perception of Synchrony in “ResoNations 2010: An International Telematic Music Concert for Peace” Sarah Weaver 2011 New York University
00395 Interactive Holographic Cinema Christopher Albert Portales 2012 Texas A&M University
00396 The Symbiosis of Traditional and Digital Techniques Petya I. Trapcheva-Kwan 2012 School of Visual Arts, New York
00397 Scorescapes: On Sound, Environment and Sonic Consciousness Yolande Harris 2011 Leiden University
00398 Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation. Sebastian Lexer 2012 Goldsmiths College, University of London, UK
00399 Audience Interactivity and the Concert Hall Audience Lanier Sammons 2012 University of Virginia
00400 Organic Urbanism and the Implicate Order: Understanding Urban Patterns Through the Geometries of Nature Maria Rosália Palma Guerreiro 2011 ISCTE - IUL Lisbon University Institute
00401 Towards a sciart prospectus for climate change Andrew Ormston 2011 University of Edinburgh
00402 One Part Art: Expanding the Topography of ArtScience in the American Cultural Sector Whitney Dail 2012 Savannah College of Art and Design
00403 Fulcra: A Platform for Disaster Relief Assistance by Online Volunteers Alberto Elizondo 2012 Iuav University of Venice
00404 Screenplay, Unresolved Opposites Iris Tenkink 2012 Goldsmith University London
00405 Portfolio of Audiovisual Compositions Louise Harris 2010 University of Sheffield, UK
00406 AURA: Wearable Devices for Non-verbal Communication between Expectant Parents Marco Righetto 2011 Iuav - University of Venice
00407 Risk-Taking for Innovation; Models of Art|Science Interdsciplinary Research Collaboration Ruth Macdougall 2012 University of East Anglia
00408 Scholar: Cognitive Computing Approach for Question Answering Rivindu Perera 2012 Informatics Institute of Technology, University of Westminster
00409 Algae: Exploring the Intersection of Art and Science Sara Gevurtz 2012 San Jose State University
00410 Resemblance and Representation Ben Blumson 2007 Australian National University
00411 Organic Urbanism and the Implicate Order: Understanding Urban Patterns Through the Geometries of Nature Maria Rosália Guerrerio 2011 ISCTE - University Institute of Lisbon
00412 Utilizing the natural environment for the exhibition of new media Laura Lee Coles 2012 Simon Fraser University
00413 3D Information Place: Architecture for Virtual Place-Making and Information Navigation Pei-Hsien Hsu 2009 Cambridge University
00414 Perceptual Moment Annie Briard 2013 Emily Carr University of Art and Design
00415 From function and schema to interaction: the evolution of design language of artifacts Yuelin Liu 2011 Tsinghua University
00416 Affection Research Lab: Affection Stations & The Signal Archive Salvador Orara 2012 Art Center College of Design
00417 Photography as the Aesthetic Determination of Difference Daniel Rubinstein 2013 Birmingham Institute of Art and Design (BIAD), Birmingham City University
00418 Personal Media and Wireless Cities: Towards an Urban Spatial Analysis Molly Hankwitz, PhD. 2011 Queensland University of Technology, Brisbane, Australia
00419 Miró: a flexible expressive audiovisual system for real-time performance & composition Fernando Enrique Franco Lizarazo 2004 University of Limerick
00420 A Prelude to the Parametric Courante Guang Zhu 2012 New York University, Tisch school of the Performing Arts
00421 The Technologies of Creativity: Connections between Art and Science in Contemporaneity Paz Tornero Complutense University of Madrid. Spain
00422 Perspective in Two Dimensions for Computer Graphics Elodie Fourquet 2012 University of Waterloo
00423 Fingers In The Outlet: a self-relfexive investigation of 'Bricolage' as a method of engagement in new media arts, through domestic hacking practices Nathan Oliver Gates 2013 The University of The Witwatersrand
00424 Eloe: Application of Brain-Computer Interfaces in Visual Creativity Maxim Safioulline 2012 Parsons The New School for Design
00425 Arresting Beauty: The Perfectionist Impulse of Peale's Butterflies, Heade's Hummingbirds, Blaschka's Flowers, and Sandow's Body Ellery Foutch 2011 University of Pennsylvania
00426 A design-led approach for transferring the embodied skills of puppet stop-motion animators into haptic workspaces Mariza Dima 2013 The University of Edinburgh
00427 Drawing With Science Bojana Joksimovic-Ginn 2013 Savannah College of Art and Design
00428 Swing That Thing : moving to move. The poetics of embodied engagement Danielle Wilde 2012 Monash University, Melbourne, Australia
00429 Reading Again for the First Time: Rereading for Closure in Interactive Stories Alex Mitchell 2012 National University of Singapore
00431 Altered states of consciousness as an adaptive principle for composing electroacoustic music Jonathan Weinel 2012 Keele University
00433 Soma: live performance where congruent musical, visual, and proprioceptive stimuli fuse to form a combined aesthetic narrative Ilias Bergstrom 2010 University College London
00434 Sonified Freaks and Sounding Prostheses: Sonic representation of bodies in performance art Daniël Ploeger 2013 University of Sussex
00435 Development and Evaluation of Participant-Centred Biofeedback Artworks George Poonkhin Khut 2007 University of Western Sydney
00436 Noisy Fields: Interference and Equivocality in the Sonic Legacies of Information Theory Nicholas Knouf 2013 Cornell University
00437 A New Approach in the Visualisation of the Six Regular Polytopes* Chris Foster 2014 Leeds Metropolitan University
00438 Information Aesthetic Performance: A Study on the Aesthetic Expansion of Information Visualization Eungsuk Kim 2014 SoongSil University
00439 VASTAL: The Vivoarts School for Transgenic Aesthetics, Ltd. Adam Zaretsky 2012 Rensselaer Polytechnic Institute
00440 The Aesthetics of Magnetic Resonance Imaging (MRI): Setting MRI in Motion from the Scientific Laboratory to an Art Exhibition Silvia Casini 2008 Queen's University, Belfast (UK)
00441 From networked art to programmed drifts : "art as experience" today Karen O'Rourke 2011 Université Paris 1