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Total Records Found: 653, showing 100 per page
LABS IDTitleAuthorYearUniversity
00220 Your Divided Attention: Ambient Media art and Looking Sideways Brett Phares 2006 Hunter College
00221 SignSpace. Digital Media in Study Environments: the Case of Computer Art Susanne Grabowski 2007/2008 University of Bremen, Germany
00222 Score Following: An Artificially Intelligent Musical Accompanist Anna Jordanous 2007 University of Edinburgh
00224 The Culture and Phenomena of Cineclubs during Sixties in Yugoslavia and Influence of New Tendencies on GEFF Festival Tomislav Brcic 2006 Universita' di Bologna
00225 Processpatching, defining new methods in aRt&D ANne NIgten 2006 University of the Arts London, Central Saint Martins College of Art & Design, SMARTlab programme (UK)
00226 ocean_v1 Wolf Nkole Helzle 2006/2008 International Academy of Media Arts and Sciences (IAMAS), Ogaki, Japan
00227 The InterHarmonium : An Investigation into Networked Musical Applications and Brainwaves Andrew Brouse 2002 McGill University
00228 particle activism anjali srinivasan 2007 rhode island school of design
00229 A World Exhilarating and Wrong Antoinette LaFarge 1995 School of Visual Arts, New Yor
00230 Utopia of Aesthetic Technology hyunkyoung cho 2010 Soongsil University, Seoul, Korea
00230 Do “Leia, é divertido” ao “Ago Monique Vandresen 2005 Universidade do Estado de São
00231 Musical Expression in Performance Ju-Lee Hong 2003 Birmingham Conservatoire, UCE
00234 Exploring the experience in everyday pedestrian routes Evdoxia Christina Malisianou 2006 Delft University of Technology
00235 Synthetics: an Archaeology of the Electronic Image in Australia, 1955-1975 Stephen Jones 2006 University of Technology, Sydney (UTS)
00236 Optimal Design of Water Distribution Networks Using Harmony Search Zong Woo Geem 2000 Korea University
00237 The Ubiquity of New Media Forms Allows for More Pervasive Video Art to Occur: a look at new experimental documentary and its roots in consumer practices and experimental movements. Nicole Rademacher 2008 New York State College of Ceramics at Alfred University
00238 The Neighborhood Network Watch Emery Caleb Martin 2008 New York University
00239 Dynamic Variations Frederick H. Leighton 2006 Savannah College of Art and Design
00241 Rain Remediation Anney Bonney 2008 School of Visual Arts
00242 Knock Kyveli Vezani 2008 New York University
00243 The Sublime in Interactive Digital Installation: An analysis of three artworks: Listerning Post, Translator II: Grower, The Cloud Harp Tegan Bristow 2007 University of the Witwatersrand
00244 Digital Wheel Art Younghyun Chung 2008 New York University
00245 Digitalism in Contemporary Western Painting from the 1960s till Today, Analytical Study Mohrah H. Sakr 2005 Helwan University In Cairo, Egypt
00249 Glucose, wireless chat for local communities Noah Shibley 2006 New York University
00250 Imagens e sons em loop: tecnologia e repetição na arte / Images and sounds loops: technology and repetition in art. Aline Couri Fabião 2006 Federal University of Rio de Janeiro - ECO/UFRJ
00251 New Media Art management Danijela Mandušic 2008 University of arts, Belgrade, serbia
00252 Reconfiguring Space Paul Thomas 2006 University of Western Australia
00253 Artefacts, Technicity and Humanisation: industrial design and the problem of anoetic technologies Stephen James Thompson 2008 University of Plymouth
00255 What are the metaphoric and spatial implications of a paranoid technological gaze? Martha Patricia Niño Mojica 2007 University of Plymouth, U.K.
00256 COLOR in Black and White; An investigation of Vividness in Color and in Architecture jack rees 1996 University ot Texas, Austin
00257 Creating order in the ceaseless flow: The discursive constitution of the radio spectrum Zita Joyce 2008 University of Auckland, New Zealand
00258 Drawing as coming to know: how is it that I know I make sense of what I do? Patricia Cain 2008 Glasgow University/Glasgow School of Art
00259 may the mice bite me if it is not true verena kaminiarz 2008 University Of Western Australia
00260 LISTENERS AND IMAGINATION: A QUATERNARY FRAMEWORK FOR ELECTROACOUSTIC MUSIC LISTENING AND ACOUSMATIC REASONING SUK-JUN KIM 2008 UNIVERSITY OF FLORIDA
00262 Out of Order: Explorations in Digital Materiality Susan Ballard 2008 University of New South Wales, Sydney, Australia
00263 Transparency, Cognition and Interactivity: Toward a New Aesthetic for Media Art Brigitta Zics 2008 University of Wales
00264 Theory and Practice of Physical Modeling for Musical Sound Transformations: An Instrumental Approach to Digital Audio Effects Based on the CORDIS-ANIMA System Alexandros Kontogeorgakopoulos 2008 Institut Polytechnique de Grenoble and University of Athens (cotutelle internationale)
00265 Surrogate Self Peter W. Coppin 1999 Carnegie Mellon University
00266 Towards a Species Songbook: Illuminating the Vocalisations of the Australian Pied Butcherbird (Cracticus nigrogularis) Hollis Taylor 2008 University of Western Sydney, Australia
00267 Iconicity and Network Thinking in Picasso's Guernica: A Study of Creativity Across the Boundaries Chiara Ambrosio 2007 University College London - University of London
00268 Becoming Bird: Sound, Image, Movement B. Lea Cox 2008 University of California, Santa Cruz
00269 THE PHYSIOLOGY OF CREATIVE EXPRESSION: RESEARCH AND PRACTICAL APPLICATIONS Karel Sloane-Boekbinder 2009 Tulane University, New Orleans
00271 EXPERIMENTAL ARCHITECTURES: Contemporary Creative Practices. Nuno Varela 2009 Universidade de Aveiro
00272 Designing for Delight: The Role of Wonder, Discovery, Invention & Ingenuity in Exhibit Design Marti Louw 2003 Carnegie Mellon University
00273 Beyond Stereotypes: Finding Highly Nuanced Ways of Working with Consumers, Users, and Citizens Tarek A. Fahmy 2009 Pratt Institute - Manhattan
00274 Ubiquity and Fluidity Rob La Frenais 2005 Brunel University, London UK
00275 Transformation of Art and Science within the Context of Subjectivity and Objectivity in the Postmodern Period Enis Âli Yurtsever 2009 Istanbul Yildiz Technical University
00276 new media art Tomás Laurenzo 2009 Universidad de la República
00278 THE SCREEN - operativity of a device in the territory of contemporary artistic practice Maria Mire 2008 Universidade do Porto
00279 Growing Semi-Living Art Ionat Zurr 2008 The University of Western Australia
00280 On the Couch - Capturing Audience Experience. A Case Study on Paul Sermon's 'Telematic Vision' Rolf Wolfensberger 2009 Danube University Krems, Austria
00281 Art and Architectural Design in 3D User-Generated-Content Virtual Worlds: A Case Study on Second Life® Umut Burcu Tasa 2009 Yildiz Technical University, Istanbul
00282 The Experience of Interactive Art: A Curatorial Study Elizabeth Muller 2009 University of Technology, Sydney
00283 Suggested Sequence of Infection...: A Quantitative Artifact Sarah Lowe 2009 San Jose State University
00284 Machinima Fictions: a do-it-yourself practice to produce narrative movies from video games. Ricardo Cedeño Montaña 2009 University of Applied Sciences Bremerhaven
00286 Mutations of Pastness: Time, Cinema, Ontology Jenna Pei-Suin Ng 2009 University College London (UCL)
00288 The Implicit Body: understanding interactive art through embodiment, and embodiment through interactive art Nathaniel Stern 2009 Trinity College Dublin (University of Dublin)
00289 Perceiving Experience: Accounting for the role of the audience in the construction of pervasive and locative artworks Christopher James Fry 2008 University of Surrey
00290 fieldwork/fieldwalking: art, sauntering and science in the walkingcountry Perdita Phillips 2007 Edith Cowan University
00291 New media art in Central and Eastern Europe in the 2000s Agnieszka Pokrywka 2009 Poznan Academy of Fine Arts
00292 Rhythmic Digitality and the Modulations of Perception Eleni Ikoniadou 2009 University of East London, London, England
00293 The Ear of the Beholder: Ecology, Embodiment and Complexity in Sound Installation Dr Tom Davis 2008 Queen's University, Belfast.
00294 DECOMPOSITIONS – Chance Operations in Sound and Art Gil Kuno 2009 UCLA
00295 Expressive Sound Synthesis for Animation Cécile Picard-Limpens 2009 Université de Nice-Sophia Antipolis
00296 Saving Metropolis: Body and City in the "Metropolis" Tales Lawrence Bird 2009 McGill
00297 Designing a Deaf culture specific web site Suvi Kitunen 2009 University of Art and Design Helsinki
00299 Visual Imagery and Concept Formation About Environmental Issues Through Creative Photography Iris Bergmann 1998 Southern Cross University
00301 An exploration of a diversity of vision in digital art projects in relation to issues of engagement sonja van Kerkhoff 2008 Leiden Institute of Advanced Computer Science, University of Leiden, The Netherlands.
00302 Delineating Disease: a system for investigating Fibrodysplasia Ossificans Progressive Lucy Lyons 2009 Sheffield Hallam University
00304 Experiences from Designing a Wearable Interface For an Interaction through Breathing Anna Salmi 2010 Aalto University, School of Art and Design, Department of Media, Media Lab
00306 Music of the Spheres – From Prototyping to Product Realization Matti Luhtala 2010 Aalto University, School of Art and Design, Department of Media, Media Lab
00307 A practice-informed critique of technological posthumanism and its ideologies David Cecchetto 2010 University of Victoria
00308 Photography as the Evidence Ana Peraica 2009 University of Rijeka
00309 Art for Environment, Art for Sustainability: The Art/Science Divide and the Role of Art in Environmental Discourse Emma Arnold 2009 Central European University
00312 OBJECTS OF CULTURE: COLLECTIONS OF SCIENCE AND TECHNOLOGY IN ENGLAND 1800-1880 ANASTASIA FILIPPOUPOLITI 2005 UNIVERSITY OF LEICESTER (UK)
00313 Realtime and Accurate Musical Control of Expression in Voice Synthesis Nicolas d'Alessandro 2009 University of Mons
00314 EXPERIMENTAL CINEMA IN THE AGE OF BINARY DATA: THE DIGITAL ALTERNATIVE TO THE CELLULOID IMAGE Robert Daniel Flowers 2010 THE UNIVERSITY OF TEXAS AT DALLAS
00315 The Role of Sound in the Making of a Sense of Place in Real Virtual and Augmented Environments Gokce Kinayoglu 2009 University of California at Berkeley
00316 A Portfolio of Original Compositions Orestis Karamanlis 2010 Queen's University Belfast
00317 Transforming Realities: integrated coastal zone management, sustainability, and connective aesthetics Tanja Geis 2010 University Centre of the Westfjords, University of Akureyri
00319 Reversed Remediation. How Art Can Make One critically Aware of the Workings of Media Saskia Korsten 2010 University of Amsterdam
00320 Nuclear Tycoon: Designing Simulation Rhetoric for a Persuasive Game Miska Natunen 2010 Aalto university, School of Art and Design
00323 UNSTABLE TERRITORIES OF REPRESENTATION: Architectural Experience and the Behaviour of Forms, Spaces and the Collective Dynamic Environment Sana Murrani 2011 University of Plymouth
00324 A time phenomena study based on tabletop interaction Carles Sora i Domenjó 2009 Universitat Pompeu Fabra
00325 Intentional Systems and the Artificial Intelligence (AI) Hermeneutic Network: Agency and Intentionality in Expressive Computational Systems Jichen Zhu 2009 Georgia Institute of Technology
00326 Rendering Life, Refiguring Diversity from the Highlands of New Guinea Laura Cassidy Rogers 2009 San Francisco Art Institute
00327 The Search for a Third Way of Curating New Media Art: Balancing Content and Context In and Out of the Institution Sarah Cook 2004 University of Sunderland
00328 Novel Methodologies for Developing Medical and Scientific Animated Narrative Joseph William Brock 2008 Goldsmiths College, University of London
00329 Beyond the Swatch: How can the Science of Materials be Represented by the Materials Themselves in a Materials Library? Zoe Laughlin 2010 King's College London
00330 Ambivalent Animal Geoffrey Thomas 2010 Georgia Institute of Technology
00332 The Sensorial Invisibility of Plants: An Interdisciplinary Inquiry through Bio Art and Plant Neurobiology Laura Cinti 2011 University College London (UCL)
00333 Dynamic Systems Aesthetics of Interactive Media in David Rokeby’s The Giver of Names Tabitha Minns 2008 York University, Toronto, Ontario
00334 Potentials of data sonification in visual art: Sonifying the compArt database Tobias Hildebrandt 2011 University of Bremen
00335 Aesthetic Complexity: Practice and Perception in Art & Design Guy Birkin 2010 Nottingham Trent University
00336 Latent State: a theoretical and practical study of Live Cinema Andres Colubri 2009 University Of California, Los Angeles
00337 Antarctic animation: gestures and lines describe a changing environment Dr Lisa Roberts 2010 University of New South Wales
00338 mixed reality art and the graphical user interface Ian Gwilt 2009/10 University of New South Wales
00339 METRICS AND IMAGES IN THE THEATER-EDUCATIONAL SYSTEM "TECHNOLOGY OF FORMATION” AND THEIR APPLICATIONS Anelia Hristova Grigorova 2007 New Bulgarian University, Sofia, Bulgaria
00340 Genetic art and Recombinants: Introns Non-code and the Proto-animate Condition Andre Brodyk 2009 University of New South Wales
00341 MINDtouch - Ephemeral Transference: ‘Liveness’ in Networked Performance with Mobile Devices Camille BAKER 2010 SMARTlab Digital Media Institute (University of East London awarding university)