|
Infinitude: Investigating the Aesthetics of Complex Patterns through Printmaking |
David James Nixon |
2020 |
Griffith University |
*removed* 00877 |
Environmental Citizenship in Scenes: Foundations for a Proposal for Teaching Fiction to the Empirical World |
Madalena de Mello e Silva |
2020 |
Fundação Oswaldo Cruz (FIOCRUZ) |
*removed* 00878 |
Metaphors We Play With: A Psychological Investigation of Transfer From Game Systems |
Barrett R. Anderson |
2018 |
UC Santa Cruz |
00001 |
Burning the Interface : artists' interactive multimedia 1992-1998 |
Mike Leggett |
2000 |
University of New South Wales |
00002 |
A Procedural Model for the Integration of Physical and Cyberspaces in Architecture |
Peter Anders |
2003 |
University of Plymouth |
00003 |
Principles of Metadesign: Processes and Levels of Co-Creation in the New Design Space |
Elisa Giaccardi |
2004 |
Shool of Computing, Communications, and Electronics / University of Plymouth, UK |
00005 |
Design: interface of contemporary culture |
Adriana de Souza e Silva |
1999 |
Federal University of Rio de Janeiro (Brazil) |
00006 |
Public News Network: Digital Sampling To Create A Hybrid Media Feed |
Jack Stenner |
2003 |
Texas A&M University |
00007 |
Phase Space Portraits of the Nuestra Señora delos Dolores of Baclayon |
Fatima Lasay |
2002 |
University of the Philippines |
00008 |
The Problem of Death in Contemporary Lithuanian Art |
Dalia Navikaite |
2004 |
Vilnius Academy of Arts |
00009 |
Sounds You Can Touch |
Robert J. Gluck |
2001 |
Rensselaer Polytechnic Institute |
00010 |
DESIGN FOR AN INTERCONNECTED WORLD: HOME LIGHTING AS AN IMMERSIVE INTERACTIVE SYSTEM |
Florian Vollmer |
2003 |
Georgia Institute of Technology |
00011 |
EMERGENT OBJECTS AT THE HUMAN-COMPUTER INTERFACE (HCI): A CASE STUDY OF ARTISTS’ CYBERNETIC RELATIONSHIPS AND IMPLICATIONS FOR CRITICAL CONSCIOUSNESS |
Dr. Sherry Lynn Mayo |
2004 |
Teachers College Columbia University |
00012 |
Language, Memoru and Volition: Toward an Aesthetics of Computer Arts |
Maureen A. Nappi |
2002 |
New York University |
00013 |
aether: an experiment in the phenomenology of reading |
Erik Conrad |
2002 |
Georgia Institute of Technology |
00014 |
A Critical Examination of “Computer Art”:Its History and Application |
Nicholas Lambert |
2003 |
Oxford University |
00015 |
Dr |
Keith Armstrong |
2003 |
Queensland University of Technology |
00016 |
Making Games with LEGO: Exploring the Uses of an Active LEGO Baseplate for Building Computer Games as a Learning Activity |
Oliver Moran |
2002 |
University of Limerick |
00017 |
Empyrean : Soft Skinned Space |
Dr Melinda Rackham |
2004 |
University of New South Wales and College of Fine Arts |
000173 |
Generative Music and Cellular Automata |
David M Burraston |
2006 |
Creativity & Cognition Studios, University of Technology, Sydney (UTS), Australia |
00018 |
Electroacoustic Music: Morphological Analysis and Analytical Representation |
Pierre Couprie |
2003 |
University of Paris IV-Sorbonne |
00019 |
Discovering Mixed Reality: inventing design criteria for an action based Mixed Reality |
Mette Ramsgard Thomsen |
2004 |
University College London |
00020 |
Expanded Media: Interactive and Generative Processes in New Media Art |
Sam Woolf |
2005 |
University of Sussex |
00021 |
Ceremony of Innocence: A Case Study of the Emergent Poetics of Interactive Narrative |
Jim Bizzocchi |
2001 |
Massachusetts Institute of Technology |
00022 |
Art in the Information Age: Cybernetics, Software, Telematics, and the Conceptual Contributions of Art and Technology to Art History and Aesthetic Theory |
Edward Allen Shanken |
2001 |
Duke University |
00023 |
Knowledge Visualization: Problems and Principles for Mapping the Knowledge Space |
Greg Judelman |
2004 |
International School of New Media, Lübeck, Germany |
00024 |
The Application of L-systems and Developmental Models to Computer Art, Animation and Music Synthesis |
Jon McCormack |
2003 |
Monash University |
00025 |
stories in between: a dissertation |
drew davidson |
2001 |
university of texas at austin |
00026 |
Erotecha: Electronic Intimacy in the Computer-based Interactive Narrative |
Brigid Costello |
1999 |
University of Sydney |
00028 |
Punching, Kicking, Falling Back, Falling Down |
Kate Chapman |
2004 |
Pratt Institute |
00029 |
From Me to Us-a computer generated music installation |
Koray Tahiroglu |
2003 |
University of Art and Design UIAH Helsinki |
00030 |
De-coding the Digital Revolution: A Critical Approach to the Presentation of the Term in Business Literature at the Turn of the Millennium |
Genco GULAN |
2001 |
New School, NY, NY |
00031 |
The Visual Language of New Media: Towards the Total Surround |
Emanuela Zilio |
|
University of Siena |
00032 |
Virtual Culture and Virtualization of Culture |
Daniele Angeli |
2004 |
University of Siena |
00034 |
Good Life Game Prototype. Designing Game Mechanics for Group Interaction. |
Markku Lappalainen |
2004 |
University of Art and Design UIAH Helsinki |
00035 |
New Images for a New Medium - a case study of SITO Interactive Arts website |
Lenara Verle |
1999 |
PUCRS - Pontificia Universidade Catolica do Rio Grande do Sul, Brasil |
00036 |
The HeUretics of Information: The Death of Rhetoric |
Kenneth Feinstein |
2004 |
European Graduate School/ University of Wallis |
00037 |
ALMOST IMMORTAL: AESTHETIC RITUAL AND BIOLOGICAL MUTATION |
Alex Metral |
2004 |
Maine College of Art |
00038 |
Reading Engineered Spaces: Bridges as Texts in Modern American Culture |
J.N. Nodelman |
2005 |
University of Alberta |
00039 |
La médiation de l'art contemporain |
Sylvie Lacerte |
2004 |
Université du Québec à Montréal |
00040 |
Aesthetics and Hyper/aesthetics: Rethinking the Senses in Contemporary Media Contexts |
Melanie Swalwell |
2002 |
University of Technology, Sydney |
00041 |
The Kinesfield: a Study of Movement-based Interactive and Choreographic Art |
Gretchen Schiller |
2003 |
University of Plymouth |
00042 |
The Father in All of Us |
Lisa Nigro |
1994 |
The University of Texas at Austin |
00043 |
net_work_ed: Simulated Bodies and Objects Intertwined in Cyberplaces and Art Educational Spaces -- Threads of a Critical Digital Pedagogy |
Robert W. Sweeny |
2004 |
The Pennsylvania State University |
00045 |
SALIX: Capturiing the essence, experiencee and the evolution of interpretive data sysytems in exocyborgian entities and interpreting into an artform- giving Salix a voice |
john sherman lathram lll |
2004 |
Ohio State University |
00046 |
Internal Networks: Telepathy Meets Technology in the Dream Pod |
Camille Baker |
|
SIMON FRASER UNIVERSITY, Burnaby, BC CANADA |
00047 |
Dr |
Dr Garth Paine |
2003 |
RMIT |
00048 |
Quantum Feminist Mnemotechnics: The Archival Text, Electronic Narrative and the Limits of Memory |
Carolyn G. Guertin |
2003 |
University of Alberta |
00049 |
Participatory Media: Visual Culture in Real Time |
Daniel Palmer |
2004 |
University of Melbourne |
00050 |
In Finity - A dissertation on Inbetween Worlds |
A.S. Sajith |
2001 |
University of Hyderabad, India |
00051 |
InquirySpace: an Immersive Document in the Style of the 'Opera Reductio' |
Kenneth Fields |
2000 |
University of California Santa Barbara |
00053 |
Screen and Frame in Painting in the Digital Era |
Dr Melina Berkenwald |
2002 |
University of Westminster, London. |
00054 |
Immersive Ideals / Critical Distances |
Joseph Nechvatal |
1999 |
University of Wales College, Newport, Wales, U. K. |
00055 |
The Reality Effect of Technoscience |
Julian Bleecker |
2004 |
University of California, Santa Cruz |
00056 |
The R.g.b-project |
Jacky Sawatzky |
2004 |
Simon Fraser University, Vancouver, Canada |
00057 |
Hypertext-based Art Education: Implications for Liberatory Learning in High School |
Pamela G. Taylor |
1999 |
The Pennsylvania State University |
00058 |
Protein Sculptures |
Julian Voss-Andreae |
2004 |
Pacific Northwest College of Art |
00059 |
Liquid Architectures: Marcos Novak's Territory of Information |
Camile A. Silva |
2005 |
Louisiana State University |
00060 |
Picasso Seizes Donald Duck |
Holly Crawford |
2003 |
University of Essex |
00061 |
From shadow citizens to teflon stars: cultural responses to the digital actor |
Lisa Bode |
2005 |
The University of New South Wales, Australia |
00062 |
Tools, authoritative practices of text, constitution of the digital literature field |
Broudoux |
2004 |
Université Paris8 - France |
00063 |
Emotion und ästhetische Erfahrung. Zur Rezeptionsästhetik der Video-Installationen Buried Secrets von Bill Viola. (Emotion and Aesthetic Experience. The Aesthetic Reception of Bill Viola's Video-Installations Buried Secrets.) |
Anne Hamker |
2003 |
Johann Wolfgang Goethe-University, Frankfurt am Main, Germany |
00064 |
A Software-based Knowledge Management System using Narrative Texts |
Thomas Rudy McDaniel |
2004 |
University of Central Florida |
00065 |
The Machine that Made Science Art: The Troubled History of Computer Art 1963-1989 |
Grant David Taylor |
2004 |
The University of Western Australia |
00066 |
The Swap-O-Matic |
Lina Fenequitio |
2005 |
Parsons School of design |
00067 |
Bioglyphs: generating images in collaboration with nature's events |
Daro Montag |
2000 |
University of Hertfordshire, UK |
00068 |
Crosswise: Sharing Goals, Sharing Time |
Tor de Vries |
2005 |
Parsons School of Design |
00069 |
Art, Art History and Systems-Theory |
francis halsall |
2004 |
university of glasgow |
00070 |
Four Quarters of the Earth: A Heuristic-Hermeneutic Approach to World Art |
Kathleen I. Kimball |
2004 |
Union Institute & University |
00071 |
On Earthquakes (Ueber Erdbeben - Ein Versuch zur Erweiterung seismologischer Darstellungsweisen) |
Florian Dombois |
1998 |
Humboldt-University Berlin (Germany) |
00072 |
Exploring experiences of global awareness and holistic overview in interactive environments |
Michael Hohl |
|
Sheffield Hallam University |
00073 |
Interactivity and Reproductivity in Early Video Art. An Art Historical Encounter With a New Medium |
Maurice Haak |
2003 |
Freie Universität Berlin |
00074 |
Sound Diffusion Using Hand Held, Light Emitting Pen Controllers. |
Kenneth Brown |
2004 |
Queen's University Belfast, U.K. |
00075 |
Caliban Robot: Artificial Stubbornness Evoked through a Shakespearian Character |
Annabel Castro Meagher |
2005 |
Chalmers University of Technology |
00076 |
Transitive: Immersive Visualization of Real Time Network Transfers |
Brenda A. Lopez Silva |
2004 |
University of Illinois at Chicago |
00077 |
Dark Room Project |
Virginia M Madsen |
2001 |
University of Technology, Sydney |
00078 |
Three-dimensional computer animation : Between tradition and artistic innovation |
Verónica CAMACHO CAMACHO |
2004 |
UNIVERSITÉ PARIS 8 — VINCENNES SAINT-DENIS |
00079 |
Fantasy Architecture: The Drawing in a Digital Space |
Ann Talley |
2005 |
Parsons School of Design |
00080 |
Design of virtual three-dimensional instruments for sound control |
Axel G.E. Mulder |
1998 |
Simon Fraser University |
00081 |
Machine Metaphysics: Descartes, the Mechanization of Life, and the Dawn of the Posthuman |
Andres Vaccari |
2006 |
Macquarie University |
00082 |
The sound of friction: real-time models, playability and musical applications |
Stefania Serafin |
2004 |
Stanford University, CA |
00083 |
Between Mnemo and Locus: architecture of virtual spaces, construction of mental spaces |
Anja Pratschke |
2002 |
University of São Paulo, Brazil |
00084 |
Singing cells, art, science and the noise in between |
Anne Niemetz |
2004 |
University of California Los Angeles |
00085 |
Light Attack |
Daniel Sauter |
2004 |
University of California Los Angeles |
00086 |
RESEARCH ARTS: THE INTERSECTION ART, SCIENCE AND TECHNOLOGY AS A FIELD OF KNOWLEDGE AND ACTION |
Stella Veciana |
2004 |
Universitat de Barcelona, Facultat de Belles Arts |
00087 |
Relations about Art and Science at Museums and Science Centres from 1969 until 2000 |
Maria do Rosário de Assumpção Braga |
2004 |
House of Oswaldo Cruz at Oswaldo Cruz'Foundation Institute (FIOCRUZ) - Brasil |
00088 |
Blogviz: Mapping the dynamics of Information Diffusion in Blogspace |
Manuel Lima |
2005 |
Parsons School of Design - New School University |
00089 |
A 21st Century Flâneur : Landscape, Embodiment, and Photography |
Meggan L. Gould |
2005 |
University of Massachusetts--Dartmouth |
00090 |
Cartographies of the Identity: six itineraries to reflect about artistic and communicative practices in the digital era |
Gemma San Cornelio Esquerdo |
2003 |
Polytechnic University of Valencia |
00091 |
The Spatial Narration Model |
Blanca Montalvo Gallego |
2003 |
Politecnic University of Valencia, Spain |
00092 |
Micropolitical Machines |
Catherine D'Ignazio |
2005 |
Maine College of Art |
00093 |
Stranger's images: Net Art and an-other representation |
Maria Victoria Guglietti |
2004 |
University of Calgary |
00094 |
Hypermedia Design on the Internet: A semiotic analysis of the on line communication patterns |
Marcelo Luis Barbosa dos Santos |
2005 |
Pontifícia Universidade Católica de São Paulo - PUC/SP |
00095 |
A Unitary Model of Intense Aesthetic Experience in Art and Science |
Melvin L. Alexenberg |
1969 |
New York University |
00096 |
Designing Multi-sensory Displays for Abstract Data. |
Keith V. Nesbitt |
2003 |
University of Sydney |
00097 |
Applications of Generative String Substitution Systems in Computer Music |
R. Luke DuBois |
2003 |
Columbia University |
00098 |
From the Subject of Anatomy to the Anatomy of the Subject |
Raphael Cuir |
2004 |
Ecole des Hautes Etudes en Sciences Sociales |
00099 |
Video Activism in the Italian Centri Sociali. A Visual Ethnography |
Alessandra Caporale |
2003 |
Napier University, Edinburgh, Scotland |
00100 |
Hypermedia Systems: The Creation and Interpretation of Concept-based Art |
Dr Dew Harrison |
1998 |
CAiiA, University of Wales, UK |
00101 |
From the Dark Room. Portuguese Video Art. |
Tânia Saraiva |
2002 |
University of Manchester and Sotheby's Institute of Art |