00339 |
METRICS AND IMAGES IN THE THEATER-EDUCATIONAL SYSTEM "TECHNOLOGY OF FORMATION” AND THEIR APPLICATIONS |
Anelia Hristova Grigorova |
2007 |
New Bulgarian University, Sofia, Bulgaria |
00340 |
Genetic art and Recombinants: Introns Non-code and the Proto-animate Condition |
Andre Brodyk |
2009 |
University of New South Wales |
00341 |
MINDtouch - Ephemeral Transference: ‘Liveness’ in Networked Performance with Mobile Devices |
Camille BAKER |
2010 |
SMARTlab Digital Media Institute (University of East London awarding university) |
00342 |
Virtual Reality Applications in Television Scenes |
Sharif El-Sayed Sharif |
2004 |
Alexandria University |
00343 |
A SoftGIS Revision: Towards Digitally Mediated Locative Dialogue is Support of Urban Planning |
Sara Jacobsen |
2012 |
Aalto University, School of Arts, Design and Architecture |
00344 |
Play in Digital Media Art: Interaction, Interfaces, Subversion |
Laetitia Wilson |
2010 |
University of Western Australia |
00345 |
SPACE HABITABILITY. Integrating Human Factors into the Design Process to Enhance Habitability in Long Duration Missions |
Irene Lia Schlacht |
2012 |
Technische Universität Berlin |
00346 |
Music to be seen. The Diatope (1978) by Iannis Xenakis |
Eleni Michaelidi |
2011 |
Donau Universitaet Krems, Austria |
00347 |
The Grammar of New Media. Descriptive Metadata in Database Archives for Media Art. |
Nina Wenhart |
2010 |
Danube University Krems, Austria |
00348 |
Understanding Fukushima. Designing for an embodied interaction with citizen science data |
Ben Dromey |
2012 |
Aalto University, School of Arts, Design and Architecture |
00349 |
Neural Networks In New Media Art |
Tim Barrass |
2005 |
Melbourne University |
00350 |
Structuring Somnolence: sleep science technology as a medium for drawing with the body at rest |
Lisa Carrie Goldberg |
2011 |
The University of Western Australia |
00351 |
Time and space compression in cyberspace art |
Avi Rosen |
2010 |
Tel Aviv University |
00353 |
Art after the Algorithmic Revolution: A Semiotic Approach to Digital Art |
Isabella Lomanto |
2011 |
University of Applied Sciences Bremerhaven, Germany |
00354 |
The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic Art |
Michael Austin |
2011 |
University of Texas at Dallas |
00355 |
Situated Networks: in [re]search of the public |
T. F. Tierney |
2009 |
University of California Berkeley |
00356 |
Poetics of the Interface: Creating Works of Art That Engage in Self-Reflection |
Miguel Santos |
2011 |
Sheffield Hallam University |
00357 |
Transactional Arts - Art as the Exchange of Values and the Conversion of Capital |
Daniela Alina Plewe |
2010 |
Sorbonne Paris 1 |
00358 |
Trans-action: an actor-network approach to interactivity in the visual arts |
Mark Cypher |
2011 |
University of Western Australia |
00359 |
An Experimental Research into Inhabitable Theories |
Claudia Westermann |
2011 |
University of Plymouth |
00360 |
The Representation of the Monstrous Feminine in the Selected Works of C.S. Lewis, Roald Dahl and Philip Pullman (PhD thesis module 2.1) |
Wing Bo TSO |
2010 |
The University of Birmingham |
00361 |
Remediation by Inspiration: Artist-driven models for Environmental Cleanup |
Jessica Fain |
2011 |
Massachusetts Institute of Technology |
00362 |
Embodied Composition. Treatment and Meaning of Physical Object in Experimental Music and Sound Art |
Svetlana Maras |
2011 |
Aalto university School of Art and Design |
00363 |
I Move In Decades |
Ellen Pearlman |
2011 |
University of Calgary |
00364 |
Designing Fabric Interactions. A Study of Knitted Fabrics as an Electronic Interface Medium |
Ramyah Gowrishankar |
2011 |
Aalto university School of Art and Design |
00365 |
Fulldome Content Production. A Bricoleur's Approach. |
Jonathan Cremieux |
2011 |
Aalto University School of Art and Design |
00366 |
The Revolution is Hear! Sound Art, the Everyday and Aural Awareness |
Florian Hollerweger |
2011 |
Queen's University Belfast |
00367 |
UNCAGED: A novel, ‘telesymbiotic’ approach to bridge the divide between the physical world and the virtual world of computers? |
Ralf Nuhn |
2006 |
Middlesex University, London (UK) |
00368 |
Human Resources: Artistic Labour and the Limits of Critique in North American and Western European Art of the 1990s |
Bill Roberts |
2010 |
Courtauld Institute of Art, University of London |
00369 |
Envisaging alternatives for practice: A study into the way concepts of sustain-ability can be explored within an Interactive Media Arts practice. |
Gavin Sade |
2011 |
Queensland University of Technology |
00370 |
Lingua Extraterrestris: lessons in universal communication or the communication designer's understanding of CETI in science and fiction |
Marek Kultys |
2011 |
University of the Arts London |
00371 |
Hybrids in Art. Theoretical Perspectives on Art in the Age of Genetics: The transgenic art of Eduardo Kac |
Nora Sørensen Vaage |
2011 |
University of Bergen |
00372 |
Mnemovie: Visual Mnemonics for Creative Interactive Video |
Michael Leggett |
2009 |
University of Technology Sydney |
00373 |
The Place Of The Viewer's Expansion in Optical Systems: The Use Of Time in Media and its Spatial Applications |
Christopher Michael Caporlingua |
2011 |
The University at Buffalo, The State University of New York |
00374 |
A developmental system for organic form synthesis |
Benjamin Porter |
2011 |
Monash University |
00375 |
in vitero: Exploring an interspecies aesthetic of care |
Tarsh Bates |
2012 |
The University of Western Australia |
00376 |
Inside out: Myself as Diana. Audiovisual and participatory installation. The femenine representation and the relation between public and private. |
Patrícia João Barbosa Moreira Reis |
2011 |
Universidade Lusófona de Humanidades e Tecnologias |
00377 |
Crafting Synthetics: Interdisciplinary Art and Life's New Design |
Britt Wray |
2012 |
Ontario College of Art and Design University |
00378 |
Aesthetics & Art in the Early Development of Human-Computer Interfaces |
Nader Salha |
2012 |
University of Bremen |
00379 |
Modularity and Space Juxtaposition: Beyond Site-specificity in Art |
On Ni Wan |
2012 |
University of Washington |
00380 |
Neocybernetic Art or Affect and Conversation in the Animal and the Machine |
Guilherme Kujawski |
2012 |
Danube University Krems |
00381 |
Superposed states: a mathematical model proposal for 3D games |
Marcos Cuzziol |
2012 |
University of Sao Paulo |
00382 |
to/from. Designing a Non-Verbal Reciprocal Online Connection. Case study of Japan Support Flags. |
Satoko Hinomizu |
2012 |
Aalto University, School of Arts, Design and Architecture |
00383 |
A (Dis)Connected Twenty-Six: Translation, Codes and Collage in Interactive Design |
Jessica S. Barness |
2012 |
University of Minnesota |
00384 |
Tropism-oriented generative design: analogical models for heterogeneous goal integration |
Victor Bunster |
2011 |
The University of Melbourne |
00385 |
(RE)embodying Biotechnology: Towards the Democratization of Biotechnology Through Embodied Art Practices. |
Jennifer Willet |
2009 |
Concordia University |
00386 |
Automatic Adaptation of Sound Analysis and Synthesis |
Marco Liuni |
2012 |
Università di Firenze - UPMC Paris 6 |
00387 |
The Radio of the Future Redux: Rethinking transmission through experiments in radio art |
Anna Friz |
2011 |
York University, Toronto |
00388 |
ON BINAURAL SPATIALIZATION AND THE USE OF GPGPU FOR AUDIO PROCESSING |
Davide Andrea Mauro |
2012 |
Università degli Studi di Milano |
00389 |
Re-negotiating social space: Public art installations and interactive experience |
Linda Ryan Bengtsson |
2012 |
Karlstad University |
00390 |
Languages,Interactive online museum of man-machine languages |
Fosca Salvi |
2012 |
Iuav, university of Venice |
00391 |
I Mirabilia, taking care of the emotional life of hospitalized children |
Erika Rossi |
2011 |
Iuav University of Venice |
00392 |
The Commercialisation of Space Flight will lead to a New Renaissance |
Nigel Banks |
2011 |
Plymouth, UK |
00393 |
The Construction of Locative Situations: the production of agency in Locative Media art practice. |
Conor McGarrigle |
2012 |
Dublin Institute of Technology |
00394 |
Latency: Music Composition and Technology Solutions for Perception of Synchrony in “ResoNations 2010: An International Telematic Music Concert for Peace” |
Sarah Weaver |
2011 |
New York University |
00395 |
Interactive Holographic Cinema |
Christopher Albert Portales |
2012 |
Texas A&M University |
00396 |
The Symbiosis of Traditional and Digital Techniques |
Petya I. Trapcheva-Kwan |
2012 |
School of Visual Arts, New York |
00397 |
Scorescapes: On Sound, Environment and Sonic Consciousness |
Yolande Harris |
2011 |
Leiden University |
00398 |
Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation. |
Sebastian Lexer |
2012 |
Goldsmiths College, University of London, UK |
00399 |
Audience Interactivity and the Concert Hall Audience |
Lanier Sammons |
2012 |
University of Virginia |
00400 |
Organic Urbanism and the Implicate Order: Understanding Urban Patterns Through the Geometries of Nature |
Maria Rosália Palma Guerreiro |
2011 |
ISCTE - IUL Lisbon University Institute |
00401 |
Towards a sciart prospectus for climate change |
Andrew Ormston |
2011 |
University of Edinburgh |
00402 |
One Part Art: Expanding the Topography of ArtScience in the American Cultural Sector |
Whitney Dail |
2012 |
Savannah College of Art and Design |
00403 |
Fulcra: A Platform for Disaster Relief Assistance by Online Volunteers |
Alberto Elizondo |
2012 |
Iuav University of Venice |
00404 |
Screenplay, Unresolved Opposites |
Iris Tenkink |
2012 |
Goldsmith University London |
00405 |
Portfolio of Audiovisual Compositions |
Louise Harris |
2010 |
University of Sheffield, UK |
00406 |
AURA: Wearable Devices for Non-verbal Communication between Expectant Parents |
Marco Righetto |
2011 |
Iuav - University of Venice |
00407 |
Risk-Taking for Innovation; Models of Art|Science Interdsciplinary Research Collaboration |
Ruth Macdougall |
2012 |
University of East Anglia |
00408 |
Scholar: Cognitive Computing Approach for Question Answering |
Rivindu Perera |
2012 |
Informatics Institute of Technology, University of Westminster |
00409 |
Algae: Exploring the Intersection of Art and Science |
Sara Gevurtz |
2012 |
San Jose State University |
00410 |
Resemblance and Representation |
Ben Blumson |
2007 |
Australian National University |
00411 |
Organic Urbanism and the Implicate Order: Understanding Urban Patterns Through the Geometries of Nature |
Maria Rosália Guerrerio |
2011 |
ISCTE - University Institute of Lisbon |
00412 |
Utilizing the natural environment for the exhibition of new media |
Laura Lee Coles |
2012 |
Simon Fraser University |
00413 |
3D Information Place: Architecture for Virtual Place-Making and Information Navigation |
Pei-Hsien Hsu |
2009 |
Cambridge University |
00414 |
Perceptual Moment |
Annie Briard |
2013 |
Emily Carr University of Art and Design |
00415 |
From function and schema to interaction: the evolution of design language of artifacts |
Yuelin Liu |
2011 |
Tsinghua University |
00416 |
Affection Research Lab: Affection Stations & The Signal Archive |
Salvador Orara |
2012 |
Art Center College of Design |
00417 |
Photography as the Aesthetic Determination of Difference |
Daniel Rubinstein |
2013 |
Birmingham Institute of Art and Design (BIAD), Birmingham City University |
00418 |
Personal Media and Wireless Cities: Towards an Urban Spatial Analysis |
Molly Hankwitz, PhD. |
2011 |
Queensland University of Technology, Brisbane, Australia |
00419 |
Miró: a flexible expressive audiovisual system for real-time performance & composition |
Fernando Enrique Franco Lizarazo |
2004 |
University of Limerick |
00420 |
A Prelude to the Parametric Courante |
Guang Zhu |
2012 |
New York University, Tisch school of the Performing Arts |
00421 |
The Technologies of Creativity: Connections between Art and Science in Contemporaneity |
Paz Tornero |
|
Complutense University of Madrid. Spain |
00422 |
Perspective in Two Dimensions for Computer Graphics |
Elodie Fourquet |
2012 |
University of Waterloo |
00423 |
Fingers In The Outlet: a self-relfexive investigation of 'Bricolage' as a method of engagement in new media arts, through domestic hacking practices |
Nathan Oliver Gates |
2013 |
The University of The Witwatersrand |
00424 |
Eloe: Application of Brain-Computer Interfaces in Visual Creativity |
Maxim Safioulline |
2012 |
Parsons The New School for Design |
00425 |
Arresting Beauty: The Perfectionist Impulse of Peale's Butterflies, Heade's Hummingbirds, Blaschka's Flowers, and Sandow's Body |
Ellery Foutch |
2011 |
University of Pennsylvania |
00426 |
A design-led approach for transferring the embodied skills of puppet stop-motion animators into haptic workspaces |
Mariza Dima |
2013 |
The University of Edinburgh |
00427 |
Drawing With Science |
Bojana Joksimovic-Ginn |
2013 |
Savannah College of Art and Design |
00428 |
Swing That Thing : moving to move. The poetics of embodied engagement |
Danielle Wilde |
2012 |
Monash University, Melbourne, Australia |
00429 |
Reading Again for the First Time: Rereading for Closure in Interactive Stories |
Alex Mitchell |
2012 |
National University of Singapore |
00431 |
Altered states of consciousness as an adaptive principle for composing electroacoustic music |
Jonathan Weinel |
2012 |
Keele University |
00432 |
THE OPTICS OF ANATOMY AND LIGHT: A STUDIO-BASED INVESTIGATION OF THE CONSTRUCTION OF ANATOMICAL IMAGES |
NINA SELLARS |
2012 |
MONASH UNIVERSITY |
00433 |
Soma: live performance where congruent musical, visual, and proprioceptive stimuli fuse to form a combined aesthetic narrative |
Ilias Bergstrom |
2010 |
University College London |
00434 |
Sonified Freaks and Sounding Prostheses: Sonic representation of bodies in performance art |
Daniël Ploeger |
2013 |
University of Sussex |
00435 |
Development and Evaluation of Participant-Centred Biofeedback Artworks |
George Poonkhin Khut |
2007 |
University of Western Sydney |
00436 |
Noisy Fields: Interference and Equivocality in the Sonic Legacies of Information Theory |
Nicholas Knouf |
2013 |
Cornell University |
00437 |
A New Approach in the Visualisation of the Six Regular Polytopes* |
Chris Foster |
2014 |
Leeds Metropolitan University |
00438 |
Information Aesthetic Performance: A Study on the Aesthetic Expansion of Information Visualization |
Eungsuk Kim |
2014 |
SoongSil University |
00439 |
VASTAL: The Vivoarts School for Transgenic Aesthetics, Ltd. |
Adam Zaretsky |
2012 |
Rensselaer Polytechnic Institute |
00440 |
The Aesthetics of Magnetic Resonance Imaging (MRI): Setting MRI in Motion from the Scientific Laboratory to an Art Exhibition |
Silvia Casini |
2008 |
Queen's University, Belfast (UK) |