00102 |
The role of Internet in the culture emergent from the present world (1945-2003). Interactive installations, Net.Art and hypertexts on line as studies of case |
Joan Campàs Montaner |
2005 |
University of Barcelona |
00103 |
Virtual space model for industrial design |
Gianluca Mura |
2005 |
Politecnico di Milano,University,Faculty of Industrial Design |
00104 |
The Structure, Perception and Generation of Musical Patterns |
M. Nyssim Lefford |
2004 |
Massachusetts Institute of Technology |
00105 |
It's in Your Eyes - Gaze Based Image Retrieval in Context |
Lasse Scherffig |
2005 |
University of Bremen |
00106 |
OPERATING IN MEDIA REALITY - FOR A CRITICAL PRACTICE IN INTERACTIVE IMAGES |
Samuel Bianchini |
2004 |
Université Paris 1 - Panthéon-Sorbonne |
00107 |
Excessive Economies: information and symbolic exchange |
David Teh |
2005 |
University of Sydney |
00108 |
Coloured Universe and the Russian Avant-Garde.Matiushin on Colour Vision in Stalin's Russia 1932 |
Margareta Tillberg |
2003 |
Stockholm University |
00110 |
The Natural History Diorama's Trace in NatureCulture |
Max Liboiron |
|
SUNY stonyrbook |
00111 |
Improvisatory Music and Painting Interface |
Hugo Solís García |
2004 |
Massachusetts Institute of Technology |
00112 |
Designing for Emotions - arguments for an emphasis on affect in design |
Martin Pichlmair |
2004 |
Vienna University of Technology |
00113 |
Now and There - a Tangible Weather Channel |
Yu-Cheng Hsu |
2005 |
Rhode Island School of Design |
00115 |
Tanya Sheehan |
Tanya Sheehan |
2005 |
Brown University |
00116 |
Negotiating the Space Between Body and Machine |
Rachel Beth Egenhoefer |
2004 |
University of California, San Diego |
00117 |
European Avant-garde: Art, Borders and Culture in Relationship to Mainstream Cinema and New Media |
Lanfranco Aceti |
2005 |
University of the Arts London: Central Saint Martins College of Art and Design |
00118 |
Situated Representation |
Michel van Dartel |
2005 |
Universiteit Maastricht |
00119 |
The [hid] Toolkit for Pd |
Hans-Christoph Steiner |
2004 |
New York University |
00120 |
Thought, Expression and Hypermediacy |
Carlos Alberto Augusto |
1993 |
Simon Fraser University |
00121 |
Cyborg and Human: when a postmodern myth meets humanism |
YEUNG Yang |
2004 |
Chinese University of Hong Kong |
00122 |
The dimension of the enchantment: scenography and digital technologies |
Regina Cunha Wilke |
2005 |
Universtity of São Paulo (USP - FAU) |
00123 |
REYNALDO LAGASCA DURAN |
REYNALDO LAGASCA DURAN |
2004 |
Graduate School Consortium of Jose Rizal Memorial State College and Negros Oriental State University, Philippines |
00124 |
Virtual Community Interfaces |
Felipe Cesar Londoño L. |
2005 |
Universidad Politécnica de Cataluña |
00125 |
Digital Lutherie: Crafting musical computers for new musics’ performance and improvisation |
Sergi Jorda |
2005 |
Universitat Pompeu Fabra |
00126 |
Transient communication systems: A system-theory reading of interactive digital installation art |
Falk Heinrich |
2005 |
University of Aarhus, Denmark |
00128 |
Evolving Performance Control Systems for Digital Puppetry |
Dr Andrew Joseph Alexander Gildfind |
2001 |
RMIT University |
00129 |
Virtual theatres |
Clarisse Bardiot |
2005 |
Sorbonne Nouvelle (Paris 3) / CNRS (Arias lab) |
00130 |
Albatross : a metaphor for vision & interplayed ideas |
ilias koen |
2005 |
School of Visual Arts, New York |
00131 |
reIMAGing SPlACE |
Christine Goldbeck |
2005 |
Goddard College |
00132 |
Playtime in the White Cube - game art: between interactive art and video games |
Andrew Hieronymi |
2005 |
University of California at Los Angeles (UCLA) |
00133 |
The Delegation of Perception (DOP) |
Monika Jaeckel |
2002 |
Merz-Akademie Stuttgart / University of Portsmouth |
00134 |
Real-Time Metaphorical Visualization of Multi-Dimensional Environmental Data |
Eric Aley |
2006 |
Texas A&M University |
00135 |
Computer graphics – aesthetic experiments between two cultures |
Christoph Kluetsch |
2006 |
University Bremen |
00136 |
The Promise of Perfection: A Cultural Perspective on the Shaping of Computer Simulation and Games |
Jan Van Looy |
2006 |
K.U.Leuven, Belgium |
00137 |
Connective Tissue: Skin as Medium of Embodiment and Transcendence from the Baroque to the Posthuman |
Jenny, Barbara Rita |
2002 |
Maine College of Art, MFA Program |
00138 |
From Le Musee des Sciences to the Science Museum: fifteen years of evolving methodologies in the science/art interface |
Martha Fleming |
2004 |
Leeds Metropolitan University, United Kingdom |
00139 |
assise entre deux chaises |
Paule Bezaire |
2003 |
Goddard College |
00142 |
Art of Women: The Depression, Labor, and War |
Hatice Brenton |
2003 |
Goddard College |
00143 |
New Storytelling Machines: Emergent Theatre and Digital Technologies |
Joe Wachs |
2005 |
The Gallatin School of Individualized Study at NYU |
00144 |
The Tree of Art. A Trans-sensorial and Intersubjective Matrix for a Non- visual Art and for the Silence of the Artistic I. |
Cristina Miranda de Almeida |
2006 |
University of the Basque Country |
00145 |
Seeing Angels and the Spiritual in Film - An Interdisciplinary Study of a Sensuous Experience |
Martha Blassnigg |
2000 |
University of Amsterdam |
00146 |
KinAesthetic Movement Interaction - Designing for the Pleasure of Motion |
Jin Moen |
2006 |
Royal Institute of Technology, KTH, Sweden |
00147 |
Mimesis as the Representation of Types: The Historical and Psychological Basis of an Aesthetic Idea |
Michael Ranta |
2000 |
Stockholm University, Sweden |
00148 |
The Implications for Artistic Expressions and Representations of corporeality of the Experimental Techniques of Biomedical Engineering |
Patricia L. Adams |
2005 |
Griffith University, Brisbane, Australia. |
00149 |
Extremities of the Video |
Christine Mello |
2004 |
Pontifícia Universidade Católica de São Paulo |
00150 |
Glocal Vagabondage: Nomadism as a Tactical Use of Information and Communication Technology |
Valeska K. Buehrer |
2006 |
University of Portsmouth/ Merz Akademie Stuttgart |
00151 |
Videogames: toys of the posthuman |
Roger Tavares (Rogério Jr. Correia Tavares) |
2006 |
PUC-SP - Pontificia Catholic University in São Paulo, Brazil |
00152 |
Visualising Boolean Set Operations: Real & Virtual Boundaries in Contemporary Site-Specific Art |
Eugenia Fratzeskou |
2006 |
University of Surrey / Wimbledon School of Art (London) |
00153 |
Voice Interfaces in Hypermediatic Environments |
Martha Carrer Cruz Gabriel |
2006 |
University of Sao Paulo, Brazil |
00155 |
Aesthetics, Writing, Networked Computers |
Joerg Mueller |
2005 |
European Graduate School (EGS) |
00156 |
Structural Constellations: Excursus on the drawings of Josef Albers c. 1950–1960 |
Anthony Auerbach |
2003 |
University College London |
00157 |
AFFECTS: Intermedial Images between Art, Philosophy, and Science |
Julainne S. Sumich |
2006 |
The University of Auckland, New Zealand |
00158 |
This Might Be a Game: Ubiquitous Play and Performance at the Turn of the Twenty-First Century |
Jane Evelyn McGonigal |
2006 |
University of California at Berkeley |
00159 |
Gaming in Art |
Phillipa (Pippa) Stalker |
2005 |
University of the Witwatersrand, Johannesburg, South Africa |
00160 |
<random> search |
Ayah Bdeir |
2006 |
Massachusetts Institute of Technology |
00162 |
EVIDENCE OF PHYSIOLOGICAL DISRUPTION AND EFFECTS OF IVERMECTIN IN JUVENILE ATLANTIC SALMON (Salmo salar L.). |
Francisco Ucan-Marin |
2004 |
Dalhousie University |
00163 |
Understanding |
So-young Park |
2006 |
Simon Fraser University |
00164 |
Re-situating Performance Within The Ambiguous, The Liminal, And The Threshold: Performance Practice Understood Through Theories Of Embodiment |
Franziska Schroeder |
2006 |
The University of Edinburgh |
00165 |
Aquabatics as new works of Live Art |
Sarah Jane Pell |
2006 |
Edith Cowan University, Western Australia |
00166 |
LIVE CINEMA LANGUAGE AND ELEMENTS |
Mia Makela |
2006 |
Helsinki University of Art and Design |
00167 |
Interactive Technologies for the Public Sphere: Towards a Theory of Critical Creative Technology |
Dr. Pamela Jennings |
2006 |
University of Plymouth |
00168 |
MEMORY-CRAFT: THE ROLE OF DOMESTIC TECHNOLOGY IN WOMEN’S JOURNALS |
Tammy Powley |
2006 |
University of Central Florida |
00169 |
Modernity and the scientific uses of design: A critical investigation in the notion of art and style of the artificial with special reference to the human antiquity controversy 1858-1908 |
Dr Assimina Kaniari |
|
University of Oxford |
00170 |
Collaboration in Sonic Design: frameworks for designing interactive sound environments |
Jeremy Yuille |
2006 |
RMIT University |
00171 |
Landscape Denatured: Digitizing the Wild |
Eric Kabisch |
2006 |
University of California, Irvine |
00172 |
Expressive Processing: On Process-Intensive Literature and Digital Media |
Noah Wardrip-Fruin |
2006 |
Brown University |
00174 |
Mathematical Sculpture: Definition, Backgrounds in History of Art, Development, Evolution Prospects and Classification base on Mathematical Concepts |
Ricardo Zalaya Báez |
2006 |
Universidad Politécnica de Valencia |
00175 |
Atmospheric Architecture: 'outSIDEin' |
Maja Petric |
2006 |
New York University |
00176 |
Fields of Interaction: From Shadow Play Theatre to Media Performance |
Aleksandra Dulic |
2006 |
SIMON FRASER UNIVERSITY |
00177 |
Telepresence: interaction and interfaces |
Yara Rondon Guasque Araujo |
|
Pontifícia Universidade Católica de São Paulo - PUCSP |
00179 |
Boundary Expeditions: Strategies for Creative Research at the Interface of Art and Life Science |
Gabriel Harp |
2007 |
University of Michigan, Ann Arbor |
00180 |
Travels in Intertextuality: the autopoetic identity of remix culture |
Joel Anthony Flynn |
2006 |
Simon Fraser University |
00181 |
Inhabited Content: An exploration into the role of the viewer through the realisation of In Conversation and other works. |
Susan Collins |
2001 |
The University of Reading |
00182 |
Improve - exploring modes of listening |
Richard Widerberg |
2007 |
University of Art and Design Helsinki |
00183 |
Organizing Sound with Circuit-Bending and Data Sonification |
Joni Lyytikäinen |
2007 |
University of Art and Design Helsinki UIAH |
00184 |
CAS - Collaborative Artwork System |
Brenda Castro |
2007 |
University of Art and Design Helsinki UIAH |
00185 |
Virtual Reality for Cultural Heritage Applications |
Meehae Song |
2006 |
Nanyang Technological University |
00186 |
COLLECTIVE SELF-PORTRAIT: Poetics of Opening to the Spectator in the [De]Construction of a Collective Identity. AUTO-RETRATO COLETIVO: Poéticas de Abertura ao Espectador na [Des]Construção de uma Identidade Coletiva. |
NARDO GERMANO |
2007 |
University of São Paulo, Brazil |
00187 |
PARABOLA-IMAGO: Creative Transmutations between Verbal and Visual Signs. PARABOLA-IMAGO: Transmutações Criativas entre o Verbal e o Visual. |
Agnus Valente |
2002 |
University of São Paulo, Brazil |
00188 |
Teaching Performance in the Digital Age: Computerized Technologies, Improvisational Play Techniques and Interactive Learning Processes |
Kathryn T Farley |
2007 |
Northwestern University |
00189 |
Frames |
Ethan Ham |
2005 |
Portland State University, Portland, Oregon, USA |
00190 |
Josef Albers’s Interaction of Color from Paper to Pixels: A Physical and Neuropsychological Analysis |
Mariah Elizabeth Klaneski |
2007 |
Wesleyan University |
00191 |
Bioneering: Hybrid Investigations of Food |
Lisa Tucker |
2007 |
University of California, Irvine |
00192 |
In Silico, vida artificial |
Florence Gouvrit Montaño |
2003 |
ENPEG La Esmeralda (Escuela Nacional de Pintura, Escultura y Grabado de Bellas Artes) |
00193 |
skin |
Helen-Nicole Kostis |
2006 |
University of Illinois at Chicago |
00196 |
Practice of Invitation - Art and meaningful participation |
Markuz Wernli Saitô |
2007 |
Transart Institute, Danube University, Krems, Austria |
00198 |
Creating Creativity |
Heather Dewey-Hagborg |
2007 |
New York University, Tisch School of the Arts |
00199 |
Desiring Machinations of Matertekhnologi |
Kelly Andres |
2008 |
University of Lethbridge, CANADA |
00200 |
Designing Multisensory Interac |
Christina Heidecker, MA |
2008 |
University of Art and Industri |
00202 |
The Human-Digital Devide: The application of Rapid Prototyping and Haptic technology as Industrial Design tools for senorally rich interaction |
J.A.Self |
2006 |
University of Hertfordshire, Hatfield, Herts. England |
00203 |
sensate skins: Unfolding an affective, responsive aesthetics |
Dennis Humphrey |
2007 |
Simon Fraser University |
00204 |
A planetary myth: exploring hypermedia |
Cláudia Martin Nascimento |
2007 |
São Paulo University - USP, Brazil |
00205 |
Opera in the Age of Media |
Jelena Novak |
2007 |
University of Arts, Belgrade, Serbia |
00207 |
An enactive approach to digital musical instrument design |
Newton Armstrong |
2006 |
Princeton University |
00208 |
Towards Autonomous Agents for Live Computer Music: Realtime Machine Listening and Interactive Music Systems |
Nicholas Mark Collins |
2006 |
Cambridge |
00209 |
Creativity and AI: A Conceptual Blending Approach |
Francisco C Pereira |
2005 |
University of Coimbra |
00210 |
The Paradox of the Posthuman in Science Fiction/Techno-Horror and Visual Media |
Julie Clarke |
2004 |
The University of Melbourne |
00211 |
Patterning:The Informatics of Art and Fashion |
Daria Dorosh |
2008 |
University of East London |
00212 |
Artificial Intelligence and Art |
Penousal machado |
2006 |
University of Coimbra |
00214 |
Compositional Strategies in Electroacoustic Music |
Jorge Rodrigo Sigal Sefchovich |
2003 |
City University, London |
00215 |
Tea House Vending Machine |
Jing Zheng |
2008 |
Parsons the New School for Design |
00216 |
The enigma of the dancing pancha-loha (five metal) icons: archaeometallurgical and art historical investigations on south Indian bronzes’ |
Dr Sharada Srinivasan |
1996 |
Institute of Archaeology, University College London, University of London |