00217 |
WORLD SENSORIUM: The THEORY, PRACTICE and SIGNIFICANCE of THE WORLD SOCIAL OLFACTORY SCULPTURE |
GAYIL NALLS |
2007 |
University of East London, London, England |
00218 |
Fragile Virtuosity: The Human Voice at the Center of Performance and Technology |
Michelle Kasprzak |
2006 |
Université du Québec à Montréal |
00219 |
Samuel Beckett y el arte radiofonico |
Luz María Sanchez Cardona |
2007 |
Universidad Autónoma de Barcelona |
00220 |
Your Divided Attention: Ambient Media art and Looking Sideways |
Brett Phares |
2006 |
Hunter College |
00221 |
SignSpace. Digital Media in Study Environments: the Case of Computer Art |
Susanne Grabowski |
2007/2008 |
University of Bremen, Germany |
00222 |
Score Following: An Artificially Intelligent Musical Accompanist |
Anna Jordanous |
2007 |
University of Edinburgh |
00224 |
The Culture and Phenomena of Cineclubs during Sixties in Yugoslavia and Influence of New Tendencies on GEFF Festival |
Tomislav Brcic |
2006 |
Universita' di Bologna |
00225 |
Processpatching, defining new methods in aRt&D |
ANne NIgten |
2006 |
University of the Arts London, Central Saint Martins College of Art & Design, SMARTlab programme (UK) |
00226 |
ocean_v1 |
Wolf Nkole Helzle |
2006/2008 |
International Academy of Media Arts and Sciences (IAMAS), Ogaki, Japan |
00227 |
The InterHarmonium : An Investigation into Networked Musical Applications and Brainwaves |
Andrew Brouse |
2002 |
McGill University |
00228 |
particle activism |
anjali srinivasan |
2007 |
rhode island school of design |
00229 |
A World Exhilarating and Wrong |
Antoinette LaFarge |
1995 |
School of Visual Arts, New Yor |
00230 |
Utopia of Aesthetic Technology |
hyunkyoung cho |
2010 |
Soongsil University, Seoul, Korea |
00230 |
Do “Leia, é divertido” ao “Ago |
Monique Vandresen |
2005 |
Universidade do Estado de São |
00231 |
Musical Expression in Performance |
Ju-Lee Hong |
2003 |
Birmingham Conservatoire, UCE |
00234 |
Exploring the experience in everyday pedestrian routes |
Evdoxia Christina Malisianou |
2006 |
Delft University of Technology |
00235 |
Synthetics: an Archaeology of the Electronic Image in Australia, 1955-1975 |
Stephen Jones |
2006 |
University of Technology, Sydney (UTS) |
00236 |
Optimal Design of Water Distribution Networks Using Harmony Search |
Zong Woo Geem |
2000 |
Korea University |
00237 |
The Ubiquity of New Media Forms Allows for More Pervasive Video Art to Occur: a look at new experimental documentary and its roots in consumer practices and experimental movements. |
Nicole Rademacher |
2008 |
New York State College of Ceramics at Alfred University |
00238 |
The Neighborhood Network Watch |
Emery Caleb Martin |
2008 |
New York University |
00239 |
Dynamic Variations |
Frederick H. Leighton |
2006 |
Savannah College of Art and Design |
00241 |
Rain Remediation |
Anney Bonney |
2008 |
School of Visual Arts |
00242 |
Knock |
Kyveli Vezani |
2008 |
New York University |
00243 |
The Sublime in Interactive Digital Installation: An analysis of three artworks: Listerning Post, Translator II: Grower, The Cloud Harp |
Tegan Bristow |
2007 |
University of the Witwatersrand |
00244 |
Digital Wheel Art |
Younghyun Chung |
2008 |
New York University |
00245 |
Digitalism in Contemporary Western Painting from the 1960s till Today, Analytical Study |
Mohrah H. Sakr |
2005 |
Helwan University In Cairo, Egypt |
00249 |
Glucose, wireless chat for local communities |
Noah Shibley |
2006 |
New York University |
00250 |
Imagens e sons em loop: tecnologia e repetição na arte / Images and sounds loops: technology and repetition in art. |
Aline Couri Fabião |
2006 |
Federal University of Rio de Janeiro - ECO/UFRJ |
00251 |
New Media Art management |
Danijela Mandušic |
2008 |
University of arts, Belgrade, serbia |
00252 |
Reconfiguring Space |
Paul Thomas |
2006 |
University of Western Australia |
00253 |
Artefacts, Technicity and Humanisation: industrial design and the problem of anoetic technologies |
Stephen James Thompson |
2008 |
University of Plymouth |
00255 |
What are the metaphoric and spatial implications of a paranoid technological gaze? |
Martha Patricia Niño Mojica |
2007 |
University of Plymouth, U.K. |
00256 |
COLOR in Black and White; An investigation of Vividness in Color and in Architecture |
jack rees |
1996 |
University ot Texas, Austin |
00257 |
Creating order in the ceaseless flow: The discursive constitution of the radio spectrum |
Zita Joyce |
2008 |
University of Auckland, New Zealand |
00258 |
Drawing as coming to know: how is it that I know I make sense of what I do? |
Patricia Cain |
2008 |
Glasgow University/Glasgow School of Art |
00259 |
may the mice bite me if it is not true |
verena kaminiarz |
2008 |
University Of Western Australia |
00260 |
LISTENERS AND IMAGINATION: A QUATERNARY FRAMEWORK FOR ELECTROACOUSTIC MUSIC LISTENING AND ACOUSMATIC REASONING |
SUK-JUN KIM |
2008 |
UNIVERSITY OF FLORIDA |
00262 |
Out of Order: Explorations in Digital Materiality |
Susan Ballard |
2008 |
University of New South Wales, Sydney, Australia |
00263 |
Transparency, Cognition and Interactivity: Toward a New Aesthetic for Media Art |
Brigitta Zics |
2008 |
University of Wales |
00264 |
Theory and Practice of Physical Modeling for Musical Sound Transformations: An Instrumental Approach to Digital Audio Effects Based on the CORDIS-ANIMA System |
Alexandros Kontogeorgakopoulos |
2008 |
Institut Polytechnique de Grenoble and University of Athens (cotutelle internationale) |
00265 |
Surrogate Self |
Peter W. Coppin |
1999 |
Carnegie Mellon University |
00266 |
Towards a Species Songbook: Illuminating the Vocalisations of the Australian Pied Butcherbird (Cracticus nigrogularis) |
Hollis Taylor |
2008 |
University of Western Sydney, Australia |
00267 |
Iconicity and Network Thinking in Picasso's Guernica: A Study of Creativity Across the Boundaries |
Chiara Ambrosio |
2007 |
University College London - University of London |
00268 |
Becoming Bird: Sound, Image, Movement |
B. Lea Cox |
2008 |
University of California, Santa Cruz |
00269 |
THE PHYSIOLOGY OF CREATIVE EXPRESSION: RESEARCH AND PRACTICAL APPLICATIONS |
Karel Sloane-Boekbinder |
2009 |
Tulane University, New Orleans |
00271 |
EXPERIMENTAL ARCHITECTURES: Contemporary Creative Practices. |
Nuno Varela |
2009 |
Universidade de Aveiro |
00272 |
Designing for Delight: The Role of Wonder, Discovery, Invention & Ingenuity in Exhibit Design |
Marti Louw |
2003 |
Carnegie Mellon University |
00273 |
Beyond Stereotypes: Finding Highly Nuanced Ways of Working with Consumers, Users, and Citizens |
Tarek A. Fahmy |
2009 |
Pratt Institute - Manhattan |
00274 |
Ubiquity and Fluidity |
Rob La Frenais |
2005 |
Brunel University, London UK |
00275 |
Transformation of Art and Science within the Context of Subjectivity and Objectivity in the Postmodern Period |
Enis Âli Yurtsever |
2009 |
Istanbul Yildiz Technical University |
00276 |
new media art |
Tomás Laurenzo |
2009 |
Universidad de la República |
00278 |
THE SCREEN - operativity of a device in the territory of contemporary artistic practice |
Maria Mire |
2008 |
Universidade do Porto |
00279 |
Growing Semi-Living Art |
Ionat Zurr |
2008 |
The University of Western Australia |
00280 |
On the Couch - Capturing Audience Experience. A Case Study on Paul Sermon's 'Telematic Vision' |
Rolf Wolfensberger |
2009 |
Danube University Krems, Austria |
00281 |
Art and Architectural Design in 3D User-Generated-Content Virtual Worlds: A Case Study on Second Life® |
Umut Burcu Tasa |
2009 |
Yildiz Technical University, Istanbul |
00282 |
The Experience of Interactive Art: A Curatorial Study |
Elizabeth Muller |
2009 |
University of Technology, Sydney |
00283 |
Suggested Sequence of Infection...: A Quantitative Artifact |
Sarah Lowe |
2009 |
San Jose State University |
00284 |
Machinima Fictions: a do-it-yourself practice to produce narrative movies from video games. |
Ricardo Cedeño Montaña |
2009 |
University of Applied Sciences Bremerhaven |
00286 |
Mutations of Pastness: Time, Cinema, Ontology |
Jenna Pei-Suin Ng |
2009 |
University College London (UCL) |
00288 |
The Implicit Body: understanding interactive art through embodiment, and embodiment through interactive art |
Nathaniel Stern |
2009 |
Trinity College Dublin (University of Dublin) |
00289 |
Perceiving Experience: Accounting for the role of the audience in the construction of pervasive and locative artworks |
Christopher James Fry |
2008 |
University of Surrey |
00290 |
fieldwork/fieldwalking: art, sauntering and science in the walkingcountry |
Perdita Phillips |
2007 |
Edith Cowan University |
00291 |
New media art in Central and Eastern Europe in the 2000s |
Agnieszka Pokrywka |
2009 |
Poznan Academy of Fine Arts |
00292 |
Rhythmic Digitality and the Modulations of Perception |
Eleni Ikoniadou |
2009 |
University of East London, London, England |
00293 |
The Ear of the Beholder: Ecology, Embodiment and Complexity in Sound Installation |
Dr Tom Davis |
2008 |
Queen's University, Belfast. |
00294 |
DECOMPOSITIONS – Chance Operations in Sound and Art |
Gil Kuno |
2009 |
UCLA |
00295 |
Expressive Sound Synthesis for Animation |
Cécile Picard-Limpens |
2009 |
Université de Nice-Sophia Antipolis |
00296 |
Saving Metropolis: Body and City in the "Metropolis" Tales |
Lawrence Bird |
2009 |
McGill |
00297 |
Designing a Deaf culture specific web site |
Suvi Kitunen |
2009 |
University of Art and Design Helsinki |
00299 |
Visual Imagery and Concept Formation About Environmental Issues Through Creative Photography |
Iris Bergmann |
1998 |
Southern Cross University |
00301 |
An exploration of a diversity of vision in digital art projects in relation to issues of engagement |
sonja van Kerkhoff |
2008 |
Leiden Institute of Advanced Computer Science, University of Leiden, The Netherlands. |
00302 |
Delineating Disease: a system for investigating Fibrodysplasia Ossificans Progressive |
Lucy Lyons |
2009 |
Sheffield Hallam University |
00304 |
Experiences from Designing a Wearable Interface For an Interaction through Breathing |
Anna Salmi |
2010 |
Aalto University, School of Art and Design, Department of Media, Media Lab |
00306 |
Music of the Spheres – From Prototyping to Product Realization |
Matti Luhtala |
2010 |
Aalto University, School of Art and Design, Department of Media, Media Lab |
00307 |
A practice-informed critique of technological posthumanism and its ideologies |
David Cecchetto |
2010 |
University of Victoria |
00308 |
Photography as the Evidence |
Ana Peraica |
2009 |
University of Rijeka |
00309 |
Art for Environment, Art for Sustainability: The Art/Science Divide and the Role of Art in Environmental Discourse |
Emma Arnold |
2009 |
Central European University |
00312 |
OBJECTS OF CULTURE: COLLECTIONS OF SCIENCE AND TECHNOLOGY IN ENGLAND 1800-1880 |
ANASTASIA FILIPPOUPOLITI |
2005 |
UNIVERSITY OF LEICESTER (UK) |
00313 |
Realtime and Accurate Musical Control of Expression in Voice Synthesis |
Nicolas d'Alessandro |
2009 |
University of Mons |
00314 |
EXPERIMENTAL CINEMA IN THE AGE OF BINARY DATA: THE DIGITAL ALTERNATIVE TO THE CELLULOID IMAGE |
Robert Daniel Flowers |
2010 |
THE UNIVERSITY OF TEXAS AT DALLAS |
00315 |
The Role of Sound in the Making of a Sense of Place in Real Virtual and Augmented Environments |
Gokce Kinayoglu |
2009 |
University of California at Berkeley |
00316 |
A Portfolio of Original Compositions |
Orestis Karamanlis |
2010 |
Queen's University Belfast |
00317 |
Transforming Realities: integrated coastal zone management, sustainability, and connective aesthetics |
Tanja Geis |
2010 |
University Centre of the Westfjords, University of Akureyri |
00319 |
Reversed Remediation. How Art Can Make One critically Aware of the Workings of Media |
Saskia Korsten |
2010 |
University of Amsterdam |
00320 |
Nuclear Tycoon: Designing Simulation Rhetoric for a Persuasive Game |
Miska Natunen |
2010 |
Aalto university, School of Art and Design |
00323 |
UNSTABLE TERRITORIES OF REPRESENTATION: Architectural Experience and the Behaviour of Forms, Spaces and the Collective Dynamic Environment |
Sana Murrani |
2011 |
University of Plymouth |
00324 |
A time phenomena study based on tabletop interaction |
Carles Sora i Domenjó |
2009 |
Universitat Pompeu Fabra |
00325 |
Intentional Systems and the Artificial Intelligence (AI) Hermeneutic Network: Agency and Intentionality in Expressive Computational Systems |
Jichen Zhu |
2009 |
Georgia Institute of Technology |
00326 |
Rendering Life, Refiguring Diversity from the Highlands of New Guinea |
Laura Cassidy Rogers |
2009 |
San Francisco Art Institute |
00327 |
The Search for a Third Way of Curating New Media Art: Balancing Content and Context In and Out of the Institution |
Sarah Cook |
2004 |
University of Sunderland |
00328 |
Novel Methodologies for Developing Medical and Scientific Animated Narrative |
Joseph William Brock |
2008 |
Goldsmiths College, University of London |
00329 |
Beyond the Swatch: How can the Science of Materials be Represented by the Materials Themselves in a Materials Library? |
Zoe Laughlin |
2010 |
King's College London |
00330 |
Ambivalent Animal |
Geoffrey Thomas |
2010 |
Georgia Institute of Technology |
00332 |
The Sensorial Invisibility of Plants: An Interdisciplinary Inquiry through Bio Art and Plant Neurobiology |
Laura Cinti |
2011 |
University College London (UCL) |
00333 |
Dynamic Systems Aesthetics of Interactive Media in David Rokeby’s The Giver of Names |
Tabitha Minns |
2008 |
York University, Toronto, Ontario |
00334 |
Potentials of data sonification in visual art: Sonifying the compArt database |
Tobias Hildebrandt |
2011 |
University of Bremen |
00335 |
Aesthetic Complexity: Practice and Perception in Art & Design |
Guy Birkin |
2010 |
Nottingham Trent University |
00336 |
Latent State: a theoretical and practical study of Live Cinema |
Andres Colubri |
2009 |
University Of California, Los Angeles |
00337 |
Antarctic animation: gestures and lines describe a changing environment |
Dr Lisa Roberts |
2010 |
University of New South Wales |
00338 |
mixed reality art and the graphical user interface |
Ian Gwilt |
2009/10 |
University of New South Wales |