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Total Records Found: 539, showing 100 per page
LABS IDTitleAuthorYearUniversity
00594 Seeing Beyond the Senses - Microcinematography as Artistic Practice Eric Parren 2012 UCLA
00593 Enactive Soundscapes: toward a naturalized aesthetics André Luiz Gonçalves de Oliveira 2013 University of Brasilia - UnB
00592 Systemic Interaction in Computer Art: A-Memory Garden a teoretical and practical proposal in asthetic research Marília Bergamo 2015 Universidade de Brasília - UnB
00591 When CRISPR Meets Art. The Experience of Relationality Through the Affective Agency of Matter Lotte Pet 2016 Leiden University
00590 A Perceptual Approach to Audio-Visual Instrument Design, Composition and Performance Adriana Sa 2016 Goldsmiths, University of London
00589 Innovation Education Ryan J.A. Murphy 2016 OCAD University
00588 Miss Christiana Kazakou 2013 Central Saint Martins, UAL
00587 Arte Computacional e Teoria Ator-Rede: actantes e associações intersubjetivas em cena. PRAUDE, Carlos Corrêa. 21-Dec-2015 Universidade de Brasília, Brasília, Brazil.
00586 Duchamp Meets Turing: Art, Modernism, Posthuman  Gabriela Galati 2016 Plymouth University
00585 Transductive Praxis in BioArt: Relational Ontology and Aesthetics of Nonhuman Experience Tyler Fox 2015 Simon Fraser University
00584 EM - Embodied Map Tools for urban mapping and performance art practices Alessandro Carboni 2017 City University of Hong Kong
00583 Design Foundations: Towards A Model Of Style Grammar In Creative Drawing Jennie Sweo 2017 Victoria University of Wellington, New Zealand
00582 Machinima: Between the Narrative and the Experimentation Fernanda Albuquerque de Almeida 2014 University of São Paulo
00581 Executing Liveness: An examination of the live dimension of code inter-actions in software (art) practice Winnie Soon 2017 Aarhus University
00580 Composing [De]Composition: Data Sonification for Sound Art and Music Composition Jennifer no.e Parker 2016 University of California, Riverside
00579 Unruly Bodies: Monstrous Readings of Biotechnology Cynthia J. Verspaget 2015 (2017) Curtin University
00578 The Practices of Art and Science Hannah Star Rogers 2012 Cornell University
00577 Walking with portable projections : a creative exploration into mediated perception in the environment Rocio von Jungenfeld 2016 University of Edinburgh
00576 Microsound, spectra, and objectivity: tracing memetics in organised sound Vincent Giles 2016 University of Melbourne
00575 Science, Technology, Engineering, Art and Mathematics: Key Elements in the Evolution of the Contemporary Art Quilt Stacy Cantrell 2015 George Mason University
00574 The Spatial Properties Of The Projection System In The Work Of Jeffrey Shaw Olga Venetsianou 2014 University of Thessaly
00573 Duality Jay Jackson 2016 Texas A&M
00572 THEORY of FLIGHT : a fantasia of avian obsession Anna Lindemann 2011 Rensselaer Polytechnic Institute
00571 Silicon Luthiers: Contemporary Practices in Electronic Music Hardware Ezra J. Teboul 2015 Dartmouth College
00570 Labyrinth Psychotica Simulating Psychotic Phenomena Jennifer Kanary Nikolov(a) 07-09-2016 Plymouth University
00569 Biomateria--Biotextile Craft WhiteFeather Hunter November 2015 Concordia University, Montreal, Canada
00568 DESIGN UTILIZING DIGITAL MEDIA TO FACILITATE COLLABORATION Scott Trent 2011 The University of Texas at Dallas
00567 Articulating Space: Geometric Algebra for Parametric Design -- Symmetry, Kinematics, and Curvature Pablo Colapinto 2016 University of California Santa Barbara
00566 Quality of Aesthetic Experience and Implicit Modulating Factors Wendy Ann Mansilla 2013 Norwegian University of Science and Technology
00565 Theoretical approaches of `spatial organization modes in multimedia architectures Georgios Papakonstantinou 2014 Paris I University-Panthéon Sorbonne
00564 Schaulust: A Study in Light and Sound Mark Cetilia 2016 Brown University
00562 Die Computerkunst Herbert W. Frankes Penesta Dika 2003 Universität Wien - Austria
00561 Art and Technology in the Second Half of the 20th Century: The Code as Paradigm José Oliveira 2016 Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa
00560 Photography from the Turin Shroud to the Turing Machine Yanai Toister 2015 Sydney
00558 Primate Aesthetics Chelsea Lynn Sams 2016 University of Massachusetts Amherst
00557 Interface Aesthetics: Sound, Software, and the Ecology of Digital Audio Production Mike D'Errico 2016 UCLA
00556 THE STRANGE DANCE: 9 EVENINGS: THEATRE & ENGINEERING AS CREATIVE COLLABORATION Robin Oppenheimer Spring 2011 Simon Fraser University
00555 Perceptual-cognitive Properties of Pictures, Diagrams, and Sentences: Toward a Science of Visual Information Design Peter Wesley Coppin 27-Mar-2014 The University of Toronto
00554 Illustration-inspired Visualization of Blood Flow Dynamics Maxwell Julian November 2015 The University of Toronto
00553 Rhythmic Canons and Modular Tiling Hélianthe Caure 2016 Université Pierre et Marie Curie
00552 Bioart. An Aesthetic of Disorganisation Laura Benítez Valero 2014 Autonomous University of Barcelona
00551 Nature & Spirit: A Digital Lens of Gay-Male Culture Brandon S. Gellis 2015 University of Denver
00550 Bioart under the lens of a Kantian microscope. Jessica Donato 2015 Goldsmiths College
00549 Whimsical Bodies: Agency and Playfulness in Robotic Art Treva Michelle Pullen April 2016 OCAD University
00548 Contagious Matters: The social constructs of cancer culture Tristan Matheson 2016 Concordia University
00547 VASTAL: The Vivoarts School for Transgenic Aesthetics, Ltd. Adam Zaretsky 2012 Rensselaer Polytechnic Institute (RPI)
00546 Postgenomic Identity: Art and Biopolitics Heather Dewey-Hagborg 2016 Rensselaer Polytechnic Institute
00545 Configuring Corporeality: Performing bodies, vibrations and new musical instruments Marco Donnarumma 2015 Goldsmiths, University of London
00544 Media arts and social transformation in Chile during transition period 1990-2014 Valentina Montero Peña 2015 Barcelona University
00543 Polyphibianism: Evolving Transdisciplinarity into an Imaginary Organism of Living Knowledge Živa Ljubec 2015 Plymouth University
00542 "Being and Becoming: Physics, Hegemony, Art and the Nomad in the Works of Ezra Pound, Marcel Duchamp, Samuel Beckett, John Cage and Thomas Pynchon." Dr. Martin E. Rosenberg 1990 University of Michigan Rackham Graduate School
00541 Bioart as a Space for Identity Conceptualization: Figuring the Human Body Under the Scope of Biotechnologies Marianne Cloutier 2015 Université du Québec à Montréal
00540 Metaphors in the responsive artistic installations Josefina López Aguayo 2016 University of Barcelona (UB)
00539 Exploring the Cognitive Correlates of Artistic Practice using a Parameterized Non-Photorealistic Toolkit Stephen DiPaola 2013 University of British Columbia
00538 Eleutheromania Morgan McAllister 2016 UCSB
00537 A Theory on Musical Translation Benjamin O'Brien 2015 University of Florida
00536 The Characteristics of Contemporary Digital Interactive Art Yu-Chuan Tseng 2010 National Chiao Tung University, Taiwan, Hsinchu
00535 Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art German Alfonso Nunez 2016 University of the Arts London
00533 Black Body Radiation Melisa Palacio / Claire Dorweiler 2016 Bauhaus-Universtät Weimar, Germany
00532 Generative Art as Experiment Andres Wanner 2013 Emily Carr University of Art and Design, Vancouver, Canada
00531 Edges of Color: An exploration of colored light in a tech culture environment David Harris 2016 University of California, Santa Cruz
00530 Points de vue Yves Candau 2015 Simon Fraser University
00528 Mixing the library: information interaction and the DJ Daniel Norton 2013 University of Dundee
00527 Dance Illusioning the Cyborg: Technological Themes in the Movement Practices and Audience Perception of Three Urban Dance Styles Diego S. Maranan 2012 Simon Fraser University
00526 On the Evolution of the Heavenly Spheres: An Enactive Approach to Cosmography David McConville 2014 Plymouth University
00525 Prácticas divergentes de preservación del arte de los medios. Recordar y olvidar en la cultura digital [Divergent Practices of Media Art Preservation. Remembering and Forgetting in the Digital Culture] Vanina Yael Hofman 2016 Universitat Oberta de Catalunya
00524 Curating web-based art exhibitions: mapping their migration and intergration with offline formats of production Marialaura Ghidini 2015 University of Sunderland
00523 A Study on Method to Enhance Effectiveness and Presence of Interactivity in Networked Performance : Based on the Analysis of ‘Good Morning Mr. Orwell’ Jungsun Park 2013 Korea Advanced Institute of Science and Technology
00522 Magic Objects: transforming objects of virtual subjectiveness into interactive adventures in mixed reality systems Carmen Platero Vázquez 2016 Universitat Pompeu Fabra
00521 Nature as Discourse: A Co-evolutionary Systems Approach to Art and Environmental Design Susannah Hays May 2016 University of California, Berkeley
00520 Reverence and Reference: Meaning in Virtual Reality Julieta Aguilera 1997 University of Notre Dame
00519 The Regime of Amplification John C. Hopkins 2013 UTS & La Trobe University
00518 Un-Natural Histories: The Specimen as Site of Knowledge Production in Contemporary Art Helen Gregory 2016 University of Western Ontario
00517 Seeing the Unseen: Rafael Lozano-Hemmer's Pulse Based Works Claudia Arozqueta 2013 Danube University Krems, Austria
00515 Artistic anti-fraud activism against online advance fee fraud Andreas Zingerle 2016 University of Art and Design Linz, Austria
00514 Unfolding Space Julieta Aguilera 2006 University of Illinois at Chicago
00512 Chicano New Media Art Ricardo Cortez 2015 San Jose State University
00511 Behind the Silicon Curtain: Computer Art in the Eastern Bloc Todor Bozhinov September 2015 University of the Arts Bremen
00510 A Machine that Dreams: An Artistic Enquiry Leading to an Integrative Theory and Computational Artwork Benjamin David Robert Bogart 2014 Simon Fraser University
00508 Drawing Machines & The Representation of Reality Pedro Maia 2010 School of Fine Arts - University of Porto
00507 Waste media pedagogy: Soundscape composition as responsive spatial practice Pietro Sammarco 2015 Simon Fraser University
00506 Bringing the Future to Life Trevor Haldenby 2013 OCAD University
00504 Constructive Visualization : A token-based paradigm allowing to assemble dynamic visual representation for non-experts Samuel Huron 2015 UNIVERSITE PARIS-SUD
00503 Listening art: making sonic artworks that critique listening Camille Robinson 2016 University of Melbourne
00502 Affective Enactive Systems in Art and TechnoScience: Vital Experiences of Displacement in the City Tiago Franklin Rodrigues Lucena 2013 University of Brasilia
00501 Computer Vision and Contemporary Visualities: Compositions of Seeing and the Visible Between Technics, Science, and Art André Goes Mintz 2015 Universidade Federal de Minas Gerais
00500 Other-Worlds: encounters with the visual perception of lungfishes through science and art Audrey Appudurai 2015 The University of Western Australia
00499 Musical Composition Techniques of Maurice Ravel and Toru Takemitsu To Digital Cinema Dr. Wen-Shing Ho 2013 Waseda University, Tokyo Japan
00498 Aesthetics of seams. The emergence of media properties Alessio Chierico 2016 Kunstuniversität Linz (Austria)
00497 Facilitating Human Computer Interaction Artworks: The Nature of Interactivity Within Architectonic Schemes Luba Diduch 2015 Bath Spa University
00496 Embroidery Designs at Embroidery MIX DrotAcrorge Version 1, Version 2
00495 Affect and the experimental design of domestic products Guy Keulemans 2015 University of New South Wales
00494 Digital Debris of Internet Art: An Allegorical and Entropic Resistance to the Epistemology of Search Nils Jean 2015 Royal College of Art
00493 The Harmonic Pattern Function: A Mathematical Model Integrating Synthesis of Sound and Graphical Patterns Lance Putnam 2012 University of California, Santa Barbara
00492 Climate Change: A Different Subjectivity? Roslyn Ellen Taplin 2015 Queensland College of Art - Griffith University
00491 Interactive Art Objects in New Media Art: Works of Olga Kisseleva from 1990s to 2010s Alexander Kiryutin 2014 Ural Federal University named after the first President of Russia B.N.Yeltsin
00490 Coactive Systems - Art and science research focused on phytoplankton Gene A. Felice II 2014 UC Santa Cruz
00489 A Hyper-media & Project-based Approach to Music, Sound & Media Art Marinos Koutsomichalis 2015 De Montfort University
00486 Objects Wrapped in Dreams Wrapped in Objects prOphecy sun 2015 Emily Carr University of Art + Design
00485 The Go-Between. The Audiovisual Archive as a Mediator Between Copyright and Film Historiography. Claudy Op den Kamp 2015 University of Plymouth, UK